{"id":1261,"date":"2020-11-16T14:31:40","date_gmt":"2020-11-16T14:31:40","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?page_id=1261"},"modified":"2020-11-19T09:55:51","modified_gmt":"2020-11-19T09:55:51","slug":"ausgabe-2016","status":"publish","type":"page","link":"https:\/\/invasionberlin.com\/festival\/de\/ausgabe-2016\/","title":{"rendered":"Ausgabe 2016"},"content":{"rendered":"

[et_pb_section fb_built=“1″ custom_padding_last_edited=“off|phone“ admin_label=“Header“ _builder_version=“4.6.6″ use_background_color_gradient=“on“ background_color_gradient_start=“rgba(0,0,0,0.5)“ background_color_gradient_end=“rgba(0,0,0,0.64)“ background_color_gradient_overlays_image=“on“ background_image=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/edicion2016-banner.jpg“ parallax=“on“ custom_padding=“80px||80px||true|false“ locked=“off“][et_pb_row _builder_version=“4.0.6″][et_pb_column type=“4_4″ _builder_version=“4.0.6″ custom_padding_tablet=“30px||30px||true|false“ custom_padding_last_edited=“off|desktop“][et_pb_text _builder_version=“4.7.1″ text_text_color=“rgba(255,255,255,0.5)“ text_font_size=“16px“ text_line_height=“1.8em“ header_font=“Montserrat|700||on|||||“ header_text_align=“center“ header_font_size=“40px“ header_2_font=“Montserrat||||||||“ header_2_text_align=“center“ header_3_font=“Montserrat|700||on|||||“ header_3_text_color=“rgba(255,255,255,0.5)“ header_3_font_size=“16px“ header_3_letter_spacing=“2px“ header_3_line_height=“1.4em“ background_layout=“dark“ hover_enabled=“0″ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|phone“ text_text_align=“left“ locked=“off“ sticky_enabled=“0″]<\/p>\n

Invasion Berlin 2016<\/h1>\n

Berlin – Buenos Aires<\/strong><\/h2>\n
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Eine Woche lang pr\u00e4sentiert INVASION Filme, die sehr unterschiedlich sind, die aber ein gemeinsames Ziel haben: den Zuschauer herauszufordern, ihn einzuladen, zu versuchen zu definieren, was er sieht. In dieser dritten Ausgabe stechen zwei starke Punkte im Programm hervor: die bemerkenswerte und vielf\u00e4ltige weibliche Pr\u00e4senz, sowohl hinter als auch vor der Kamera; und die pers\u00f6nliche – formale oder inhaltliche – Ann\u00e4herung einiger der Filme an die klassischen Genres.<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=“Angela Schanelec in Buenos Aires“ open_toggle_text_color=“#ffffff“ use_icon_font_size=“on“ icon_font_size=“26px“ _builder_version=“4.7.1″ _module_preset=“default“ title_text_color=“#ffffff“ title_font=“Montserrat|700|||||||“ closed_title_font=“Montserrat|700|||||||“ body_text_align=“justify“ body_text_color=“#ffffff“ background_color=“#000000″ hover_enabled=“0″ sticky_enabled=“0″]<\/p>\n

Treffen mit Angela Schanelec.<\/p>\n

INVASION, in Zusammenarbeit mit dem Goethe-Institut und der Sala Leopoldo Lugones – TGSM, pr\u00e4sentiert von Mittwoch, 22. Juni, bis Sonntag, 26. Juni 2016, eine Filmreihe von f\u00fcnf in Argentinien nie gezeigten Filmen eines der wichtigsten Regisseure des aktuellen deutschen Kinos.<\/p>\n

Dar\u00fcber hinaus wird Schanelec in Buenos Aires sein, um ihre Arbeit pers\u00f6nlich vorzustellen und zwei \u00f6ffentliche Vortr\u00e4ge zu halten.<\/p>\n

Programm:<\/p>\n

Das Gl\u00fcck meiner Schwester (1994)
Mein langsames Leben (2001)
Marseille (2004)
Nachmittag (2007)
Orly (2010)<\/p>\n

+<\/p>\n

Donnerstag, 23., 17 Uhr.
Angela Schanelec im Gespr\u00e4ch mit Laura Citarella, an der Universidad del Cine<\/p>\n

Freitag, 24., 20.30 Uhr.
Angela Schanelec im Dialog mit Diego Brodersen, im Kulturzentrum San Mart\u00edn<\/p>\n

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MI AMIGA DEL PARQUE<\/h2>\n

Ana Katz, 2015, Arg., 86 min.<\/span>, OmeU<\/p>\n

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EL MES DEL AMIGO<\/h2>\n

Florencia Percia, 2016, Arg., 16 min, OmeU<\/p>\n

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LA LUZ INCIDENTE<\/h2>\n

Ariel Rotter, 2016, Arg., 95 min, OmeU<\/p>\n

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LAS IM\u00c1GENES DE HELENA<\/h2>\n

Andrea Santamar\u00eda, 2016, Arg., 14 min, OmeU<\/p>\n

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UNA NOVIA DE SHANGHAI<\/h2>\n

Mauro Andrizzi, 2016, Arg., 73 min, OmeU<\/p>\n

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LA NOVIA DE FRANKENSTEIN<\/h2>\n

Francisco Lezama y Agostina G\u00e1lvez, 2015, Arg., 12 min, OmeU<\/p>\n

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EL MOVIMIENTO<\/h2>\n

Benjam\u00edn Naishtat, 2016, Arg, 70 min, OmeU<\/p>\n

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LOS EXPLORADORES<\/h2>\n

Ferm\u00edn Eloy Acosta, Sol Bolloqui, Luc\u00eda Salas. 2016, Arg., 9 min, OmeU<\/p>\n

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DIAMANTE MANDAR\u00cdN<\/h2>\n

Juan Mart\u00edn Hsu. 2015, Arg., 15 min, OmeU<\/p>\n

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LA CALLE DE LOS PIANISTAS<\/h2>\n

Mariano Nante. 2015, Arg., 87 min, OmeU<\/p>\n

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LA GAVIOTA<\/h2>\n

Esteban Perroud. 2014, Arg., 15 min, OmeU<\/p>\n

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LAS LINDAS<\/h2>\n

Melisa Liebenthal. 2016, Arg., 77 min, OmeU<\/p>\n

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MAR\u00edA MAR\u00edA<\/h2>\n

Jazm\u00edn L\u00f3pez. 2013, Arg., 2 min, OmeU<\/p>\n

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CLARA<\/h2>\n

Laura Huberman. 2015, Arg., 15 min, OmeU<\/p>\n

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CAMINO DE CAMPA\u00d1A<\/h2>\n

Nicol\u00e1s Grosso. 2014, Arg., 88 min, OmeU<\/p>\n

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EL LADO DE LOS OPONENTES<\/h2>\n

Francisco Pedemonte. 2015, Arg., 20 min, OmeU<\/p>\n

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Invasion Berlin es posible gracias al apoyo de<\/b><\/h4>\n

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Invasion Berlin 2016 Berlin – Buenos Aires Eine Woche lang pr\u00e4sentiert INVASION Filme, die sehr unterschiedlich sind, die aber ein gemeinsames Ziel haben: den Zuschauer herauszufordern, ihn einzuladen, zu versuchen zu definieren, was er sieht. In dieser dritten Ausgabe stechen zwei starke Punkte im Programm hervor: die bemerkenswerte und vielf\u00e4ltige weibliche Pr\u00e4senz, sowohl hinter als […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n\n\n

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