{"id":1262,"date":"2020-11-16T14:31:44","date_gmt":"2020-11-16T14:31:44","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?page_id=1262"},"modified":"2020-11-18T18:33:18","modified_gmt":"2020-11-18T18:33:18","slug":"ausgabe-2015","status":"publish","type":"page","link":"https:\/\/invasionberlin.com\/festival\/de\/ausgabe-2015\/","title":{"rendered":"Ausgabe 2015"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8220;1&#8243; custom_padding_last_edited=&#8220;off|phone&#8220; admin_label=&#8220;Header&#8220; _builder_version=&#8220;4.6.6&#8243; use_background_color_gradient=&#8220;on&#8220; background_color_gradient_start=&#8220;rgba(0,0,0,0.5)&#8220; background_color_gradient_end=&#8220;rgba(0,0,0,0.64)&#8220; background_color_gradient_overlays_image=&#8220;on&#8220; background_image=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/mauro-fotograma02.jpg&#8220; parallax=&#8220;on&#8220; custom_padding=&#8220;80px||80px||true|false&#8220; locked=&#8220;off&#8220;][et_pb_row _builder_version=&#8220;4.0.6&#8243;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.0.6&#8243; custom_padding_tablet=&#8220;30px||30px||true|false&#8220; custom_padding_last_edited=&#8220;off|desktop&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.5)&#8220; text_font_size=&#8220;16px&#8220; text_line_height=&#8220;1.8em&#8220; header_font=&#8220;Montserrat|700||on|||||&#8220; header_text_align=&#8220;center&#8220; header_font_size=&#8220;40px&#8220; header_2_font=&#8220;Montserrat||||||||&#8220; header_2_text_align=&#8220;center&#8220; header_3_font=&#8220;Montserrat|700||on|||||&#8220; header_3_text_color=&#8220;rgba(255,255,255,0.5)&#8220; header_3_font_size=&#8220;16px&#8220; header_3_letter_spacing=&#8220;2px&#8220; header_3_line_height=&#8220;1.4em&#8220; background_layout=&#8220;dark&#8220; header_3_font_size_tablet=&#8220;14px&#8220; header_3_font_size_phone=&#8220;&#8220; header_3_font_size_last_edited=&#8220;on|phone&#8220; text_text_align=&#8220;left&#8220; locked=&#8220;off&#8220;]<\/p>\n<h1>Invasion Berlin 2015<\/h1>\n<h2><strong>Berlin<\/strong><\/h2>\n<div id=\"gtx-trans\" style=\"position: absolute; left: -2px; top: 132.875px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8220;1&#8243; admin_label=&#8220;Info&#8220; _builder_version=&#8220;4.0.6&#8243; background_color=&#8220;#000000&#8243; custom_padding=&#8220;35px||15px|||&#8220;][et_pb_row _builder_version=&#8220;4.0.6&#8243; locked=&#8220;off&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_toggle title=&#8220;Argentinisches Kino erobert zum zweiten Mal Berlin&#8220; open_toggle_text_color=&#8220;#ffffff&#8220; use_icon_font_size=&#8220;on&#8220; icon_font_size=&#8220;26px&#8220; _builder_version=&#8220;4.7.1&#8243; _module_preset=&#8220;default&#8220; title_text_color=&#8220;#ffffff&#8220; title_font=&#8220;Montserrat|700|||||||&#8220; closed_title_font=&#8220;Montserrat|700|||||||&#8220; body_text_align=&#8220;justify&#8220; body_text_color=&#8220;#ffffff&#8220; background_color=&#8220;#000000&#8243; hover_enabled=&#8220;0&#8243; sticky_enabled=&#8220;0&#8243;]<\/p>\n<p>W\u00e4hrend 7 Tagen zeigten im historischen Cine Moviemento 7 Spielfilme und 8 Kurzfilme den anregenden und vielf\u00e4ltigen aktuellen Stand des argentinischen Kinos. INVASION ist ein Fest, aber auch ein Treffpunkt f\u00fcr die Bewohner der deutschen Hauptstadt, um der argentinischen Kultur n\u00e4her zu kommen.<\/p>\n<p>In ihrer zweiten Ausgabe bot INVASION dem Zuschauer ein anregendes Panorama des zeitgen\u00f6ssischen argentinischen Kinos, eine Landschaft voller Details: Vielf\u00e4ltige Geschichten, unterschiedliche Formen, neue Strukturen und Rhythmen. Mit der Vorf\u00fchrung von 15 Filmen hat INVASION die Spannung in sein Programm gebracht und es dem Zuschauer erm\u00f6glicht, die Themen, Diskussionen, Recherchen und Anliegen der zeitgen\u00f6ssischen argentinischen Kinematographie (und der Gesellschaft) aus den gesehenen Filmen durchzugehen.<\/p>\n<p>[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elincendio-fotograma01.jpg&#8220; title_text=&#8220;elincendio-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">El incendio<\/h2>\n<p><span>Juan Schnitman, 2015, Arg., 95 min.<\/span>, OmeU<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elpasadoroto-fotograma01.jpg&#8220; title_text=&#8220;elpasadoroto-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">El pasado roto<\/h2>\n<p>M. Morgenfeld y S. Schjaer, 2015, Arg., 16 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/laprincesadefrancia-fotograma01.jpg&#8220; title_text=&#8220;laprincesadefrancia-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">La princesa de Francia<\/h2>\n<p>Matias Pi\u00f1eiro, 2014, Arg., 70 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/japonesita-fotograma01.jpg&#8220; title_text=&#8220;japonesita-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">Japonesita<\/h2>\n<p>Ignacio Masllorens, 2014, Arg., 4:44 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/sijesuisperducestpasgrave-fotograma01.jpg&#8220; title_text=&#8220;sijesuisperducestpasgrave-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">Si je suis perdu, c\u2019est pas grave<\/h2>\n<p>Santiago Loza, 2014, Arg., 95 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/guilliver-fotograma01.jpg&#8220; title_text=&#8220;guilliver-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">Gulliver<\/h2>\n<p>Mar\u00eda Alch\u00e9 , 2014, Arg., 25 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lasalada-forograma01.jpg&#8220; title_text=&#8220;lasalada-forograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">La Salada<\/h2>\n<p>Juan Mart\u00edn Hsu,\u00a0 2015, Arg, 92 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/themadhalfhour-fotograma01.jpg&#8220; title_text=&#8220;themadhalfhour-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">The Mad Half Hour<\/h2>\n<p>Leonardo Brzezicki, 2015, Arg., 22 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elperromolina-fotograma01.jpg&#8220; title_text=&#8220;elperromolina-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">El perro Molina<\/h2>\n<p>Jos\u00e9 Celestino Campusano, 2014, Arg., 88 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/pudeverunpuma-fotograma01.jpg&#8220; title_text=&#8220;pudeverunpuma-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">Pude ver un puma<\/h2>\n<p>Eduardo Williams, 2011, Arg., 17 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/mauro-fotograma02.jpg&#8220; title_text=&#8220;mauro-fotograma02&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">Mauro<\/h2>\n<p>Hern\u00e1n Roselli, 2014, Arg., 80 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/mujer100cabezas-fotograma01.jpg&#8220; title_text=&#8220;mujer100cabezas-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">Mujer 100 Cabezas<\/h2>\n<p>Paulo P\u00e9cora,\u00a0 2015, Arg., 12 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/enfrentaranimalessalvajes-fotograma01.jpg&#8220; title_text=&#8220;enfrentaranimalessalvajes-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">Enfrentar animales salvajes<\/h2>\n<p>Jer\u00f3nimo Quevedo, 2015, Arg., 8 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; left: 135px; top: 4.9125px;\">\n<div class=\"gtx-trans-icon\"><\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8220;1_3,2_3&#8243; _builder_version=&#8220;4.6.6&#8243;][et_pb_column type=&#8220;1_3&#8243; _builder_version=&#8220;4.0.6&#8243;][et_pb_image src=&#8220;https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/juanaalosdoce-fotograma01.jpg&#8220; title_text=&#8220;juanaalosdoce-fotograma01&#8243; _builder_version=&#8220;4.6.6&#8243; locked=&#8220;off&#8220;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8220;2_3&#8243; _builder_version=&#8220;4.6.6&#8243; custom_padding=&#8220;50px||||false|false&#8220;][et_pb_text _builder_version=&#8220;4.6.6&#8243; text_text_color=&#8220;rgba(255,255,255,0.7)&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; header_3_font_size=&#8220;18px&#8220; background_layout=&#8220;dark&#8220; custom_padding=&#8220;||||false|false&#8220;]<\/p>\n<h2 class=\"x-feature-box-title\">Juana a los doce<\/h2>\n<p>Mart\u00edn Shanly, 2014, Arg., 75 min, OmeU<\/p>\n<div id=\"gtx-trans\" style=\"position: absolute; 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INVASION ist ein Fest, aber auch ein Treffpunkt f\u00fcr die Bewohner der deutschen Hauptstadt, um der argentinischen Kultur n\u00e4her zu kommen. In ihrer zweiten Ausgabe bot INVASION dem Zuschauer [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<!-- wp:woocommerce\/product-new \/-->\n\n<!-- wp:media-text {\"isStackedOnMobile\":false,\"className\":\"alignwide has-media-on-the-right\"} -->\n<div class=\"wp-block-media-text alignwide has-media-on-the-right\"><figure class=\"wp-block-media-text__media\"><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph {\"placeholder\":\"Contenido\u2026\",\"fontSize\":\"large\"} -->\n<p class=\"has-large-font-size\"><\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:media-text {\"isStackedOnMobile\":false,\"className\":\"alignwide\"} -->\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph {\"placeholder\":\"Contenido\u2026\",\"fontSize\":\"large\"} -->\n<p class=\"has-large-font-size\"><\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:media-text {\"isStackedOnMobile\":false,\"className\":\"alignwide has-media-on-the-right\"} -->\n<div class=\"wp-block-media-text alignwide has-media-on-the-right\"><figure class=\"wp-block-media-text__media\"><\/figure><div class=\"wp-block-media-text__content\"><!-- wp:paragraph {\"placeholder\":\"Contenido\u2026\",\"fontSize\":\"large\"} -->\n<p class=\"has-large-font-size\"><\/p>\n<!-- \/wp:paragraph --><\/div><\/div>\n<!-- \/wp:media-text -->\n\n<!-- wp:woocommerce\/featured-product \/-->","_et_gb_content_width":"","footnotes":""},"class_list":["post-1262","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/pages\/1262","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/comments?post=1262"}],"version-history":[{"count":2,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/pages\/1262\/revisions"}],"predecessor-version":[{"id":1756,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/pages\/1262\/revisions\/1756"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/media?parent=1262"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}