{"id":1264,"date":"2020-11-16T14:31:59","date_gmt":"2020-11-16T14:31:59","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?page_id=1264"},"modified":"2020-11-18T18:39:37","modified_gmt":"2020-11-18T18:39:37","slug":"ausgabe-2014","status":"publish","type":"page","link":"https:\/\/invasionberlin.com\/festival\/de\/ausgabe-2014\/","title":{"rendered":"Ausgabe 2014"},"content":{"rendered":"

[et_pb_section fb_built=“1″ custom_padding_last_edited=“off|phone“ admin_label=“Header“ _builder_version=“4.6.6″ use_background_color_gradient=“on“ background_color_gradient_start=“rgba(0,0,0,0.5)“ background_color_gradient_end=“rgba(0,0,0,0.64)“ background_color_gradient_overlays_image=“on“ background_image=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/invasion2014-banner.jpg“ parallax=“on“ custom_padding=“80px||80px||true|false“ locked=“off“][et_pb_row _builder_version=“4.0.6″][et_pb_column type=“4_4″ _builder_version=“4.0.6″ custom_padding_tablet=“30px||30px||true|false“ custom_padding_last_edited=“off|desktop“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.5)“ text_font_size=“16px“ text_line_height=“1.8em“ header_font=“Montserrat|700||on|||||“ header_text_align=“center“ header_font_size=“40px“ header_2_font=“Montserrat||||||||“ header_2_text_align=“center“ header_3_font=“Montserrat|700||on|||||“ header_3_text_color=“rgba(255,255,255,0.5)“ header_3_font_size=“16px“ header_3_letter_spacing=“2px“ header_3_line_height=“1.4em“ background_layout=“dark“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|phone“ text_text_align=“left“ locked=“off“]<\/p>\n

Invasion Berlin 2014<\/h1>\n

Buenos Aires – Berlin<\/strong><\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Info“ _builder_version=“4.0.6″ background_color=“#000000″ custom_padding=“35px||15px|||“][et_pb_row _builder_version=“4.0.6″ locked=“off“][et_pb_column type=“4_4″ _builder_version=“4.0.6″][et_pb_toggle title=“Im September 2014 besuchte die argentinische Kultur, Hand in Hand mit dem Kino, die deutsche Hauptstadt. Aus der Projektion von 10 Filmen fanden an mehreren Punkten der Stadt verschiedene kulturelle Aktivit\u00e4ten statt.“ open_toggle_text_color=“#ffffff“ use_icon_font_size=“on“ icon_font_size=“26px“ _builder_version=“4.7.1″ _module_preset=“default“ title_text_color=“#ffffff“ title_font=“Montserrat|700|||||||“ closed_title_font=“Montserrat|700|||||||“ body_text_align=“justify“ body_text_color=“#ffffff“ background_color=“#000000″ hover_enabled=“0″ sticky_enabled=“0″]<\/p>\n

W\u00e4hrend eines Monats kreuzten sich verschiedene k\u00fcnstlerische Disziplinen, st\u00e4rkten und erzeugten vielf\u00e4ltige und unerwartete Verbindungen, die ein aktuelles und dynamisches Panorama der zeitgen\u00f6ssischen argentinischen Kultur pr\u00e4sentierten.<\/p>\n

Durch die Werke von mehr als 40 K\u00fcnstlern hatten die Bewohner Berlins die M\u00f6glichkeit, die Vielfalt und den Reichtum der aktuellen kulturellen Ausdrucksformen in verschiedenen Szenarien zu erschlie\u00dfen, was wiederum einen Rundgang durch Berlin implizierte. Das emblematische Kino Babylon in Mitte, verschiedene etablierte Galerien und neue Kunstr\u00e4ume in Kreuzberg, Sch\u00f6neberg, Friedrichshain und Neuk\u00f6lln, die Buchhandlung La Rayuela sowie die Restaurants Sudaka bei Chakall und Gloria Bar waren die B\u00fchnen dieses Festivals.<\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/invasion-fotograma01.jpg“ title_text=“invasion-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

Invasi\u00f3n<\/h2>\n

Hugo Santiago, 1969, Arg., 123 min.<\/span>, OmeU<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/viola-fotograma01.jpg“ title_text=“viola-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

Viola<\/h2>\n

Mat\u00edas Pi\u00f1eiro, 2012, Arg., 65 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elcaminodelvino-fotograma01.jpg“ title_text=“elcaminodelvino-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

El camino del vino<\/h2>\n

Nicol\u00e1s Carreras, 2012, Arg., OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/martinblaszkoiii-fotograma01.jpg“ title_text=“martinblaszkoiii-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

Mart\u00edn Blazko III<\/h2>\n

Ignacio Masllorens, 2011, Arg., 70 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/m-fotograma01.jpg“ title_text=“m-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

M<\/h2>\n

Nicol\u00e1s Pridivera, 2007, Arg., 150 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/cafedelosmaestros-fotograma01.jpg“ title_text=“cafedelosmaestros-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

Caf\u00e9 de los Maestros<\/h2>\n

Miguel Kohan, 2008, Arg., 90 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/los-posibles-fotograma01.jpg“ title_text=“los-posibles-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

Los posibles<\/h2>\n

Santiago Mitre y Juan Onofri Barbato, 2013, Arg, 55 min, OmeU<\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/civilizacion-fotograma01.jpg“ title_text=“civilizacion-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

Civilizaci\u00f3n<\/h2>\n

Rub\u00e9n Guzm\u00e1n, 2012, Arg., 55 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elartista-fotograma01.jpg“ title_text=“elartista-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

El artista<\/h2>\n

Mariano Cohn y Gast\u00f3n Duprat, 2008, Arg., 110 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“1_3,2_3″ _builder_version=“4.6.6″][et_pb_column type=“1_3″ _builder_version=“4.0.6″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/suden-fotograma01.jpg“ title_text=“suden-fotograma01″ _builder_version=“4.6.6″ locked=“off“][\/et_pb_image][\/et_pb_column][et_pb_column type=“2_3″ _builder_version=“4.6.6″ custom_padding=“50px||||false|false“][et_pb_text _builder_version=“4.6.6″ text_text_color=“rgba(255,255,255,0.7)“ header_2_font=“Montserrat|700|||||||“ header_3_font=“Montserrat|600|||||||“ header_3_font_size=“18px“ background_layout=“dark“ custom_padding=“||||false|false“]<\/p>\n

S\u00fcden<\/h2>\n

Gast\u00f3n Solnicki, 2008, Arg., 67 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ admin_label=“Footer“ _builder_version=“4.0.6″ use_background_color_gradient=“on“ background_color_gradient_start=“#000000″ background_color_gradient_end=“rgba(0,0,0,0)“ background_color_gradient_end_position=“50%“ background_color_gradient_overlays_image=“on“ background_image=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/10\/theater-01.jpg“ custom_padding=“23px||32px|||“ locked=“off“][et_pb_row _builder_version=“3.29.1″ custom_padding=“19px|||||“][et_pb_column type=“4_4″ _builder_version=“3.29.1″][et_pb_text _builder_version=“4.6.6″ header_2_font=“Montserrat|300|||||||“ header_2_font_size=“40px“ header_2_line_height=“1.2em“ header_3_font=“Montserrat|700||on|||||“ header_3_text_color=“#f9002b“ header_3_font_size=“16px“ header_3_letter_spacing=“2px“ header_3_line_height=“1.4em“ header_4_font=“Montserrat||||||||“ background_layout=“dark“ header_2_font_size_tablet=“30px“ header_2_font_size_phone=“20px“ header_2_font_size_last_edited=“on|phone“ header_3_font_size_tablet=“14px“ header_3_font_size_phone=““ header_3_font_size_last_edited=“on|phone“ locked=“off“]<\/p>\n

Invasion Berlin es posible gracias al apoyo de<\/b><\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=“on“ _builder_version=“4.6.6″ background_color=“#ffffff“ custom_padding=“16px||0px|||“ border_radii=“off|20px|20px||“ locked=“off“][et_pb_column type=“4_4″ _builder_version=“3.27.3″][et_pb_image src=“https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/10\/logo-berlin.jpg“ title_text=“logo-berlin“ align=“center“ _builder_version=“4.6.6″ _module_preset=“default“ background_enable_color=“off“ width=“250px“][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=“on“ _builder_version=“4.6.6″ background_color=“#ffffff“ module_alignment=“center“ custom_padding=“16px||0px|||“ border_radii=“off|||10px|10px“ locked=“off“][et_pb_column type=“4_4″ _builder_version=“4.6.6″ custom_css_main_element=“margin: auto;\t„][et_pb_text _builder_version=“4.6.6″ _module_preset=“default“ custom_margin=“|20px||20px|false|true“ border_color_all=“#ffffff“ custom_css_after__hover_enabled=“off|desktop“]<\/p>\n\n\n\n
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Invasion Berlin 2014 Buenos Aires – BerlinW\u00e4hrend eines Monats kreuzten sich verschiedene k\u00fcnstlerische Disziplinen, st\u00e4rkten und erzeugten vielf\u00e4ltige und unerwartete Verbindungen, die ein aktuelles und dynamisches Panorama der zeitgen\u00f6ssischen argentinischen Kultur pr\u00e4sentierten. Durch die Werke von mehr als 40 K\u00fcnstlern hatten die Bewohner Berlins die M\u00f6glichkeit, die Vielfalt und den Reichtum der aktuellen kulturellen Ausdrucksformen […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n\n\n

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