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Argentinien in den sp\u00e4ten 1980ern, katholisch, konservativ und von der Milit\u00e4rdiktatur gepr\u00e4gt. \u201eLa Delpi\u201c, die einzige \u00dcberlebende einer Gruppe von Transgenderfrauen und Dragqueens, erz\u00e4hlt davon, wie ihre Shows in Kellertheatern ihnen Halt im Kampf gegen AIDS und Polizeigewalt gaben und die Gemeinschaft st\u00e4rkten. Wie sie mit Lippenstift, Playbackperformances und improvisierten B\u00fchnenoutfits ihre Wunden heilten. Wie sie Happy-Ends erfanden, f\u00fcr die, die sterben w\u00fcrden \u2013 ein Abschiedsbrief aus VHS-Erinnerungen.<\/p>\n<\/div>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.0.6″ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_video src=“https:\/\/vimeo.com\/534931640″ play_icon_color=“rgba(0,0,0,0)“ thumbnail_overlay_color=“rgba(0,0,0,0.6)“ _builder_version=“4.9.3″ _module_preset=“default“ hover_enabled=“0″ icon_font_size__hover_enabled=“off|hover“ icon_font_size__hover=“43px“ play_icon_color__hover_enabled=“on|desktop“ play_icon_color__hover=“#ffffff“ sticky_enabled=“0″][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.6.6″ custom_margin=“0px||0px||true|false“ custom_padding=“0px||0px||true|false“ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_column type=“4_4″ _builder_version=“4.0.6″ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_text _builder_version=“4.9.3″ text_text_color=“#ffffff“ text_line_height=“1.8em“ header_font=“Montserrat|700|||||||“ header_font_size=“40px“ header_2_font=“Montserrat|700|||||||“ header_2_font_size=“30px“ header_3_font=“Montserrat|600|||||||“ background_layout=“dark“ global_colors_info=“{}“ theme_builder_area=“post_content“]<\/p>\n
Mit: Marcos Garc\u00eda, La Delpi. Mart\u00edn Shanly<\/p>\n
Regie und Buch:<\/strong>\u00a0Agustina Comedi Sales:<\/strong>\u00a0Mar\u00eda Vera \u2013 Kino Rebelde<\/p>\n Best Short Film \/ National Competition \u2013 Mar del Plata International Film Festival 2019 [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Agustina Comedi, Argentina, 14\u2019, 2019<\/p>\n","protected":false},"author":1,"featured_media":2265,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[388,389],"tags":[],"class_list":["post-2335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ciclos","category-documentales-en-primavera"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/2335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/comments?post=2335"}],"version-history":[{"count":13,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/2335\/revisions"}],"predecessor-version":[{"id":2807,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/2335\/revisions\/2807"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/media\/2265"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/media?parent=2335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/categories?post=2335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/tags?post=2335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Kamera:<\/strong>\u00a0Magal\u00ed M\u00e9rida
Schnitt:<\/strong>\u00a0Valeria Racioppi
Ton Design:<\/strong>\u00a0Guido Deniro
Art Director:<\/strong>\u00a0Federico Tapia, Mart\u00edn Paolorossi
Kost\u00fcm:<\/strong>\u00a0Romina Guti\u00e9rrez
Regieassistenz:<\/strong>\u00a0Paula Ail\u00e9n Belli
Farbe:<\/strong>\u00a0Ada Frontini
Visual Effects:<\/strong>\u00a0Bruno Fauceglia
Produktion Manager:<\/strong>\u00a0Ana Luc\u00eda Frau
Producer:<\/strong>\u00a0Magal\u00ed M\u00e9rida<\/p>\nPreise & Festivals<\/strong><\/h3>\n
Teddy Award to Best Short Film \u2013 Berlinale 2020
Special Mention of the Jury \u2013 Kreiv\u0117s Vilnius Queer Festival 2020
Audience\u00a0Award \/\u00a0National Short Film Competition \u2013 FestiFreak International Independent Film Festival 2020
\u201cAndr\u00e9 S. Labarthe Award\u201d for Best Short Film \u2013 Entrevues Belfort International Film Festival 2020
Punto de Vista International Documentary Film Festival
Thessaloniki International Documentary Film Festival
Hot Docs Canadian International Documentary Film Festival
Jeonju International Film Festival
Sheffield Doc\/Fest.
Melbourne International Film Festival
Vancouver International Film Festival
Calgary International Film Festival
Olhar de Cinema, Curitiba International Film Festival
FicValdivia, Valdivia International Film Festival
Doclisboa International Film Festival
Leeds International Film Festival
Asterisco, International LGBTQ Film Festival
New Directors \/ New Films Festival
DocumentaMadrid International Documentary Film Festival
Nan Goldin Selects: Playback & Silence Is a Falling Body | Metrograph Cinema, NYC
Rencontres Internationales Paris\/Berlin \u00b7 Louvre Museum<\/p>\n