[et_pb_section fb_built=“1″ admin_label=“Info“ _builder_version=“4.16″ background_color=“#000000″ custom_padding=“0px||15px|||“ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_row column_structure=“2_5,3_5″ _builder_version=“4.16″ width=“auto“ max_width=“none“ locked=“off“ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_column type=“2_5″ _builder_version=“4.16″ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_text _builder_version=“4.17.6″ text_text_color=“#ffffff“ text_line_height=“1.8em“ header_font=“Montserrat|700|||||||“ header_font_size=“40px“ header_2_font=“Montserrat|700|||||||“ header_2_font_size=“30px“ header_3_font=“Montserrat|600|||||||“ background_layout=“dark“ custom_margin=“|-11px|12px|||“ global_colors_info=“{}“ theme_builder_area=“post_content“]<\/p>\n
\u00a8Invasi\u00f3n\u00a8 ist die erste Arbeit, die Jorge Luis Borges speziell f\u00fcr das Kino konzipiert hat, in Zusammenarbeit mit seinem Freund Adolfo Bioy Casares. Er ist eine Art von Aktualisierung der Illiad, die Polizei-Thriller zu atemloser Traum-Fantasie verwandelt. Der Film spielt in Aquilea (einer Stadt, die Buenos Aires stark \u00e4hnelt), dass unter Belagerung finsterer Kr\u00e4fte steht. Meetings werden abgehalten, Strategien werden ausgearbeitet, Kartenmaterial studiert. Doch, kann die Invasion wirklich beendet werden?<\/p>\n<\/div>\n
[\/et_pb_text][et_pb_button button_url=“https:\/\/vimeo.com\/745181400\/19e64971db“ button_text=“Film sehen“ _builder_version=“4.18.0″ custom_button=“on“ button_text_size=“10px“ button_text_color=“#ffffff“ button_bg_color=“rgba(0,0,0,0)“ button_border_width=“1px“ button_border_color=“#f9002b“ button_letter_spacing=“1px“ button_font=“Montserrat|600||on|||||“ button_use_icon=“off“ custom_margin=“5px|10px|5px|10px|true|true“ custom_padding=“8px|15px|8px|15px|true|true“ hover_enabled=“0″ custom_css_main_element=“width: 46%;||float: left;||margin: 2%;“ locked=“off“ global_colors_info=“{}“ button_bg_color__hover=“#6e42ff“ button_bg_color__hover_enabled=“on|hover“ button_bg_enable_color__hover=“on“ button_text_color__hover_enabled=“on|desktop“ button_text_color__hover=“#ffffff“ button_border_color__hover=“rgba(0,0,0,0)“ button_border_color__hover_enabled=“on|desktop“ url_new_window=“on“ sticky_enabled=“0″ theme_builder_area=“post_content“][\/et_pb_button][\/et_pb_column][et_pb_column type=“3_5″ _builder_version=“4.16″ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_video src=“https:\/\/vimeo.com\/740417580″ play_icon_color=“rgba(0,0,0,0)“ thumbnail_overlay_color=“rgba(0,0,0,0.6)“ _builder_version=“4.18.0″ _module_preset=“default“ hover_enabled=“0″ global_colors_info=“{}“ icon_font_size__hover_enabled=“off|hover“ icon_font_size__hover=“43px“ play_icon_color__hover_enabled=“on|desktop“ play_icon_color__hover=“#ffffff“ theme_builder_area=“post_content“ sticky_enabled=“0″][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=“4.16″ width=“auto“ max_width=“none“ locked=“off“ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_column type=“4_4″ _builder_version=“4.16″ global_colors_info=“{}“ theme_builder_area=“post_content“][et_pb_text _builder_version=“4.17.6″ text_text_color=“#ffffff“ text_line_height=“1.8em“ header_font=“Montserrat|700|||||||“ header_font_size=“40px“ header_2_font=“Montserrat|700|||||||“ header_2_font_size=“30px“ header_3_font=“Montserrat|600|||||||“ background_layout=“dark“ locked=“off“ global_colors_info=“{}“ theme_builder_area=“post_content“]<\/p>\n
Argentinien, 1969
\n123 min<\/p>\n
Regie: Hugo Santiago<\/p>\n
Buch: Jorge Luis Borges, Adolfo Bioy Casares, Hugo Santiago<\/p>\n
Kamera: Ricardo Aronovich<\/p>\n
Produktion: Hugo Santiago, Proartel S.A.<\/p>\n
Mit: Olga Zubarry, Lautaro Mur\u00faa, Juan Carlos Paz, Mart\u00edn Adjemi\u00e1n, Daniel Fern\u00e1ndez, Roberto Villanueva,<\/p>\n
Sprache: Spanisch (OmE)<\/p>\n
Genre: Drama<\/p>\n
\u00a0<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Hugo Santiago \u2013 1969 \u2013 Argentinien \u2013 123 min. \u2013 Spanisch (OmeU)<\/p>\n","protected":false},"author":1,"featured_media":4083,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[421],"tags":[],"class_list":["post-3940","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-421"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/3940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/comments?post=3940"}],"version-history":[{"count":11,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/3940\/revisions"}],"predecessor-version":[{"id":4271,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/3940\/revisions\/4271"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/media\/4083"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/media?parent=3940"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/categories?post=3940"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/tags?post=3940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}