{"id":3975,"date":"2022-08-17T13:24:41","date_gmt":"2022-08-17T13:24:41","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/der-eindringling\/"},"modified":"2022-08-17T18:09:19","modified_gmt":"2022-08-17T16:09:19","slug":"der-eindringling","status":"publish","type":"post","link":"https:\/\/invasionberlin.com\/festival\/de\/der-eindringling\/","title":{"rendered":"Der Eindringling"},"content":{"rendered":"

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\n

Synopsis<\/h3>\n

In\u00e9s ist Synchronsprecherin und singt in einem Chor in Buenos Aires. Nach einem traumatischen Erlebnis im Urlaub leidet sie an Schlaflosigkeit und wird von heftigen Albtr\u00e4umen heimgesucht. Im Synchronstudio zeichnen die Mikrofone sonderbare T\u00f6ne auf, die scheinbar direkt von ihren Stimmb\u00e4ndern kommen. Die T\u00f6ne st\u00f6ren die Synchronisation und gef\u00e4hrden auch ihre Stellung im Chor. Nach und nach ger\u00e4t In\u00e9s in einen paranoiden Zustand, in dem Realit\u00e4t und Wahn immer mehr verschwimmen. Ihr kommt ein bedrohlicher Gedanke: Die Gestalten, die ihre Tr\u00e4ume bev\u00f6lkern, wollen ihren K\u00f6rper in Besitz nehmen.<\/p>\n<\/div>\n

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Credits<\/h3>\n

Argentinien, 2020
\n95 min<\/p>\n

Regie: Natalia Meta<\/p>\n

Buch: Natalia Meta,, basierend auf dem Roman \u2018El Mal Menor\u2019 von C.E. Feiling<\/p>\n

Kamera: B\u00e1rbara \u00c1lvarez<\/p>\n

Producktion: Benjam\u00edn Domenech, Santiago Gallelli, Mat\u00edas Roveda, Natalia Meta, Fabiana Tiscornia<\/p>\n

Mit: \u00c9rica Rivas, Nahuel P\u00e9rez Biscayart, Daniel Hendler, Cecilia Roth, Agust\u00edn Rittano, Gabriela Pastor, Flor Dyszel, Mirta Busnelli<\/p>\n

Sprache: Spanisch (OmeU)<\/p>\n

Genre: Drama<\/p>\n

\u00a0<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Natalia Meta \u2013 2020 \u2013 Argentinien \u2013 95 min. \u2013 Spanisch (OmeU)<\/p>\n","protected":false},"author":1,"featured_media":4077,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[421],"tags":[],"class_list":["post-3975","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-421"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/3975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/comments?post=3975"}],"version-history":[{"count":8,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/3975\/revisions"}],"predecessor-version":[{"id":4162,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/3975\/revisions\/4162"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/media\/4077"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/media?parent=3975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/categories?post=3975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/tags?post=3975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}