{"id":4875,"date":"2025-07-15T11:44:37","date_gmt":"2025-07-15T09:44:37","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?p=4875"},"modified":"2025-07-17T17:46:03","modified_gmt":"2025-07-17T15:46:03","slug":"kill-the-jockey-de","status":"publish","type":"post","link":"https:\/\/invasionberlin.com\/festival\/de\/kill-the-jockey-de\/","title":{"rendered":"KILL THE JOCKEY"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8220;1&#8243; admin_label=&#8220;Info&#8220; _builder_version=&#8220;4.16&#8243; background_color=&#8220;#000000&#8243; custom_padding=&#8220;0px||15px|||&#8220; global_colors_info=&#8220;{}&#8220; theme_builder_area=&#8220;post_content&#8220;][et_pb_row column_structure=&#8220;2_5,3_5&#8243; _builder_version=&#8220;4.16&#8243; width=&#8220;auto&#8220; max_width=&#8220;none&#8220; locked=&#8220;off&#8220; global_colors_info=&#8220;{}&#8220; theme_builder_area=&#8220;post_content&#8220;][et_pb_column type=&#8220;2_5&#8243; _builder_version=&#8220;4.16&#8243; global_colors_info=&#8220;{}&#8220; theme_builder_area=&#8220;post_content&#8220;][et_pb_text _builder_version=&#8220;4.27.4&#8243; text_text_color=&#8220;#ffffff&#8220; text_line_height=&#8220;1.8em&#8220; header_font=&#8220;Montserrat|700|||||||&#8220; header_font_size=&#8220;40px&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_2_font_size=&#8220;30px&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; background_layout=&#8220;dark&#8220; custom_margin=&#8220;|-11px|12px|||&#8220; global_colors_info=&#8220;{}&#8220; theme_builder_area=&#8220;post_content&#8220;]<\/p>\n<div class=\"x-text\">\n<h3 style=\"text-align: justify;\" data-mce-style=\"text-align: justify;\">Synopsis<\/h3>\n<p>Remo Manfredini ist ein legend\u00e4rer Jockey, aber sein selbstzerst\u00f6rerisches Verhalten beginnt, seinen Erfolge auf der Rennbahn zu beenden und bedroht die Beziehung zu seiner Freundin Abril.<\/p>\n<p>Am Tag des wichtigsten Rennens seiner Karriere, das ihn endlich von den Schulden beim Mafiaboss Sirena befreien soll, hat er einen schweren Unfall. Trotz seiner Kopfverletzung&nbsp; flieht er aus dem Krankenhaus und irrt durch die Stra\u00dfen von Buenos Aires. Befreit von seiner Identit\u00e4t als Jockey, beginnt er zu entdecken, wer er wirklich sein m\u00f6chte. Aber Sirena will ihn finden, tot oder lebendig.<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8220;3_5&#8243; _builder_version=&#8220;4.16&#8243; global_colors_info=&#8220;{}&#8220; theme_builder_area=&#8220;post_content&#8220;]<\/p>\n<p>[et_pb_video src=&#8220;https:\/\/www.youtube.com\/watch?v=zdPrjBP6N2w&#8220; play_icon_color=&#8220;rgba(0,0,0,0)&#8220; thumbnail_overlay_color=&#8220;rgba(0,0,0,0.6)&#8220; _builder_version=&#8220;4.27.4&#8243; _module_preset=&#8220;default&#8220; global_colors_info=&#8220;{}&#8220; icon_font_size__hover_enabled=&#8220;off|hover&#8220; icon_font_size__hover=&#8220;43px&#8220; play_icon_color__hover_enabled=&#8220;on|desktop&#8220; play_icon_color__hover=&#8220;#ffffff&#8220; theme_builder_area=&#8220;post_content&#8220;][\/et_pb_video]<\/p>\n<p>[\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8220;4.16&#8243; width=&#8220;auto&#8220; max_width=&#8220;none&#8220; locked=&#8220;off&#8220; global_colors_info=&#8220;{}&#8220; theme_builder_area=&#8220;post_content&#8220;][et_pb_column type=&#8220;4_4&#8243; _builder_version=&#8220;4.16&#8243; global_colors_info=&#8220;{}&#8220; theme_builder_area=&#8220;post_content&#8220;][et_pb_text _builder_version=&#8220;4.27.4&#8243; text_text_color=&#8220;#ffffff&#8220; text_line_height=&#8220;1.8em&#8220; header_font=&#8220;Montserrat|700|||||||&#8220; header_font_size=&#8220;40px&#8220; header_2_font=&#8220;Montserrat|700|||||||&#8220; header_2_font_size=&#8220;30px&#8220; header_3_font=&#8220;Montserrat|600|||||||&#8220; background_layout=&#8220;dark&#8220; hover_enabled=&#8220;0&#8243; locked=&#8220;off&#8220; global_colors_info=&#8220;{}&#8220; theme_builder_area=&#8220;post_content&#8220; sticky_enabled=&#8220;0&#8243;]<\/p>\n<h3>Credits<\/h3>\n<p>Luis Ortega \u2013 2024 \u2013 Argentinien, Mexiko, Spanien, D\u00e4nemark, USA \u2013 96 Min. Spanisch mit englischen Untertiteln (OmeU)<\/p>\n<p>Regie: Luis Ortega<br \/>Drehbuch: Luis Ortega, Rodolfo Palacios, Fabi\u00e1n Casas<br \/>Produktionsfirmen: Rei Pictures, El Despacho, Infinity Hill, Warner Music Entertainment, Exile<br \/>Koproduktionen: Piano, El Estudio, Snowglobe, Jacinto Films, Barraca Producciones<br \/>Kamera: Timo Salminen<br \/>Schnitt: Rosario Su\u00e1rez, Yibr\u00e1n Asuad<br \/>Szenenbild: Julia Freid, Germ\u00e1n Naglieri<br \/>Kost\u00fcmbild: Beatriz Di Benedetto<br \/>Sounddesign: Guido Berenblum, Javier Umpi\u00e9rrez, Claus Lynge<br \/>Internationaler Vertrieb: Protagonist Pictures<\/p>\n<p>Darsteller*innen:<br \/>Nahuel P\u00e9rez Biscayart, \u00darsula Corber\u00f3, Daniel Gim\u00e9nez Cacho, Daniel Fanego, Osmar N\u00fa\u00f1ez, Roberto Carnaghi, Luis Ziembrowski, Jorge Prado, Adriana Aguirre, Roly Serrano, Mariana Di Girolamo<\/p>\n<p><\/p>\n<h3>Festivals und Auszeichnungen<\/h3>\n<ul>\n<li>Offizielle Auswahl \u2013 Filmfestspiele von Venedig<\/li>\n<li>Preis \u201eHorizontes Latinos\u201c \u2013 Internationales Filmfestival von San Sebasti\u00e1n<\/li>\n<li>Silberner Condor: Bester Spielfilm, Beste Regie, Bester Hauptdarsteller, Beste Kamera, Beste Filmmusik, Bestes Szenenbild, Bestes Kost\u00fcmbild<\/li>\n<li>Platino Awards: Beste m\u00e4nnliche Nebenrolle (Daniel Fanego)<\/li>\n<li>Nominierung: Bester iberoamerikanischer Film \u2013 Goya Awards<\/li>\n<li>Argentinischer Oscar-Beitrag<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luis Ortega \u2013 2024 \u2013 Argentinien, Mexiko, Spanien, D\u00e4nemark, USA \u2013 96 Min. Spanisch mit englischen Untertiteln (OmeU)<\/p>\n","protected":false},"author":3,"featured_media":4995,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[429],"tags":[],"class_list":["post-4875","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-de"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/4875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/comments?post=4875"}],"version-history":[{"count":11,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/4875\/revisions"}],"predecessor-version":[{"id":5038,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/posts\/4875\/revisions\/5038"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/media\/4995"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/media?parent=4875"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/categories?post=4875"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/de\/wp-json\/wp\/v2\/tags?post=4875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}