{"id":1251,"date":"2020-11-16T14:28:19","date_gmt":"2020-11-16T14:28:19","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?page_id=1251"},"modified":"2020-11-19T10:00:02","modified_gmt":"2020-11-19T10:00:02","slug":"2016-edition","status":"publish","type":"page","link":"https:\/\/invasionberlin.com\/festival\/en\/2016-edition\/","title":{"rendered":"2016 Edition"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”off|phone” admin_label=”Header” _builder_version=”4.6.6″ use_background_color_gradient=”on” background_color_gradient_start=”rgba(0,0,0,0.5)” background_color_gradient_end=”rgba(0,0,0,0.64)” background_color_gradient_overlays_image=”on” background_image=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/edicion2016-banner.jpg” parallax=”on” custom_padding=”80px||80px||true|false” locked=”off”][et_pb_row _builder_version=”4.0.6″][et_pb_column type=”4_4″ _builder_version=”4.0.6″ custom_padding_tablet=”30px||30px||true|false” custom_padding_last_edited=”off|desktop”][et_pb_text _builder_version=”4.7.1″ text_text_color=”rgba(255,255,255,0.5)” text_font_size=”16px” text_line_height=”1.8em” header_font=”Montserrat|700||on|||||” header_text_align=”center” header_font_size=”40px” header_2_font=”Montserrat||||||||” header_2_text_align=”center” header_3_font=”Montserrat|700||on|||||” header_3_text_color=”rgba(255,255,255,0.5)” header_3_font_size=”16px” header_3_letter_spacing=”2px” header_3_line_height=”1.4em” background_layout=”dark” hover_enabled=”0″ header_3_font_size_tablet=”14px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|phone” text_text_align=”left” locked=”off” sticky_enabled=”0″]<\/p>\n

Invasion Berlin 2016<\/h1>\n

Berlin – Buenos Aires<\/strong><\/h2>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Info” _builder_version=”4.0.6″ background_color=”#000000″ custom_padding=”35px||15px|||”][et_pb_row _builder_version=”4.0.6″ locked=”off”][et_pb_column type=”4_4″ _builder_version=”4.0.6″][et_pb_toggle title=”About the 2016 Edition” open_toggle_text_color=”#ffffff” use_icon_font_size=”on” icon_font_size=”26px” _builder_version=”4.7.1″ _module_preset=”default” title_text_color=”#ffffff” title_font=”Montserrat|700|||||||” closed_title_font=”Montserrat|700|||||||” body_text_align=”justify” body_text_color=”#ffffff” background_color=”#000000″]<\/p>\n

For a week, INVASION presents films that are very diverse from one another, but that share a common goal: to challenge the viewer, to invite him or her to try to define what he or she is seeing. In this third edition, two strong points stand out in the programme: the remarkable and multiple female presence, both behind and in front of the camera; and the personal approach – formal or content – of several of the films to the classic genres.<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=”Angela Schanelec in Buenos Aires” open_toggle_text_color=”#ffffff” use_icon_font_size=”on” icon_font_size=”26px” _builder_version=”4.7.1″ _module_preset=”default” title_text_color=”#ffffff” title_font=”Montserrat|700|||||||” closed_title_font=”Montserrat|700|||||||” body_text_align=”justify” body_text_color=”#ffffff” background_color=”#000000″ hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

Meeting with Angela Schanelec.<\/p>\n

INVASION, in collaboration with the Goethe Institut and the Sala Leopoldo Lugones – TGSM, presents from Wednesday 22 to Sunday 26 June 2016, a series of five films by one of the most important directors in German cinema today, never shown in Argentina before.<\/p>\n

In addition, Schanelec will be in Buenos Aires to personally present her work and give two public talks.<\/p>\n

Programme:<\/p>\n

Das Gl\u00fcck meiner Schwester (1994)
Mein langsames Leben (2001)
Marseille (2004)
Nachmittag (2007)
Orly (2010)<\/p>\n

+<\/p>\n

Thursday 23rd, 17hs.
Angela Schanelec in dialogue with Laura Citarella, at the Universidad del Cine<\/p>\n

Friday 24th, 20:30hs.
Angela Schanelec in dialogue with Diego Brodersen, in the Cultural San Mart\u00edn<\/p>\n

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MI AMIGA DEL PARQUE<\/h2>\n

Ana Katz, 2015, Arg., 86 min.<\/span>, OmeU<\/p>\n

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EL MES DEL AMIGO<\/h2>\n

Florencia Percia, 2016, Arg., 16 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/laluzincidente-fotograma01.jpg” title_text=”laluzincidente-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

LA LUZ INCIDENTE<\/h2>\n

Ariel Rotter, 2016, Arg., 95 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lasimagenesdehelena-fotograma01.jpg” title_text=”lasimagenesdehelena-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

LAS IM\u00c1GENES DE HELENA<\/h2>\n

Andrea Santamar\u00eda, 2016, Arg., 14 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

UNA NOVIA DE SHANGHAI<\/h2>\n

Mauro Andrizzi, 2016, Arg., 73 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lanoviadefrankenstein-fotograma01.png” title_text=”lanoviadefrankenstein-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

LA NOVIA DE FRANKENSTEIN<\/h2>\n

Francisco Lezama y Agostina G\u00e1lvez, 2015, Arg., 12 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/10\/elmovimiento-fotograma01.jpg” title_text=”elmovimiento-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

EL MOVIMIENTO<\/h2>\n

Benjam\u00edn Naishtat, 2016, Arg, 70 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/losexploradores-fotograma01.png” title_text=”losexploradores-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

LOS EXPLORADORES<\/h2>\n

Ferm\u00edn Eloy Acosta, Sol Bolloqui, Luc\u00eda Salas. 2016, Arg., 9 min, OmeU<\/p>\n

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DIAMANTE MANDAR\u00cdN<\/h2>\n

Juan Mart\u00edn Hsu. 2015, Arg., 15 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lacalledelospianistas-fotograma01.png” title_text=”lacalledelospianistas-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

LA CALLE DE LOS PIANISTAS<\/h2>\n

Mariano Nante. 2015, Arg., 87 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lagaviota-fotograma01.jpg” title_text=”lagaviota-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

LA GAVIOTA<\/h2>\n

Esteban Perroud. 2014, Arg., 15 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/laslindas-fotograma01.jpg” title_text=”laslindas-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

LAS LINDAS<\/h2>\n

Melisa Liebenthal. 2016, Arg., 77 min, OmeU<\/p>\n

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MAR\u00edA MAR\u00edA<\/h2>\n

Jazm\u00edn L\u00f3pez. 2013, Arg., 2 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/clara-fotograma01.jpg” title_text=”clara-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

CLARA<\/h2>\n

Laura Huberman. 2015, Arg., 15 min, OmeU<\/p>\n

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CAMINO DE CAMPA\u00d1A<\/h2>\n

Nicol\u00e1s Grosso. 2014, Arg., 88 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elladodelosoponenetes-fotograma01.jpg” title_text=”elladodelosoponenetes-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

EL LADO DE LOS OPONENTES<\/h2>\n

Francisco Pedemonte. 2015, Arg., 20 min, OmeU<\/p>\n

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Invasion Berlin es posible gracias al apoyo de<\/b><\/h4>\n

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Invasion Berlin 2016 Berlin – Buenos Aires For a week, INVASION presents films that are very diverse from one another, but that share a common goal: to challenge the viewer, to invite him or her to try to define what he or she is seeing. In this third edition, two strong points stand out in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n\n\n

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