{"id":1253,"date":"2020-11-16T14:28:42","date_gmt":"2020-11-16T14:28:42","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?page_id=1253"},"modified":"2020-11-18T18:28:59","modified_gmt":"2020-11-18T18:28:59","slug":"2015-edition","status":"publish","type":"page","link":"https:\/\/invasionberlin.com\/festival\/en\/2015-edition\/","title":{"rendered":"2015 Edition"},"content":{"rendered":"

[et_pb_section fb_built=”1″ custom_padding_last_edited=”off|phone” admin_label=”Header” _builder_version=”4.6.6″ use_background_color_gradient=”on” background_color_gradient_start=”rgba(0,0,0,0.5)” background_color_gradient_end=”rgba(0,0,0,0.64)” background_color_gradient_overlays_image=”on” background_image=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/mauro-fotograma02.jpg” parallax=”on” custom_padding=”80px||80px||true|false” locked=”off”][et_pb_row _builder_version=”4.0.6″][et_pb_column type=”4_4″ _builder_version=”4.0.6″ custom_padding_tablet=”30px||30px||true|false” custom_padding_last_edited=”off|desktop”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.5)” text_font_size=”16px” text_line_height=”1.8em” header_font=”Montserrat|700||on|||||” header_text_align=”center” header_font_size=”40px” header_2_font=”Montserrat||||||||” header_2_text_align=”center” header_3_font=”Montserrat|700||on|||||” header_3_text_color=”rgba(255,255,255,0.5)” header_3_font_size=”16px” header_3_letter_spacing=”2px” header_3_line_height=”1.4em” background_layout=”dark” header_3_font_size_tablet=”14px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|phone” text_text_align=”left” locked=”off”]<\/p>\n

Invasion Berlin 2015<\/h1>\n

Berlin<\/strong><\/h2>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Info” _builder_version=”4.0.6″ background_color=”#000000″ custom_padding=”35px||15px|||”][et_pb_row _builder_version=”4.0.6″ locked=”off”][et_pb_column type=”4_4″ _builder_version=”4.0.6″][et_pb_toggle title=”Argentine cinema invades Berlin for the second time” open_toggle_text_color=”#ffffff” use_icon_font_size=”on” icon_font_size=”26px” _builder_version=”4.7.1″ _module_preset=”default” title_text_color=”#ffffff” title_font=”Montserrat|700|||||||” closed_title_font=”Montserrat|700|||||||” body_text_align=”justify” body_text_color=”#ffffff” background_color=”#000000″ hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

For 7 days, in the historic Cine Moviemento, 7 feature films and 8 short films highlighted the stimulating and diverse current state of Argentine cinema. INVASION is a celebration, but also a meeting point for the inhabitants of the German capital to get closer to Argentine culture.<\/p>\n

In its second edition, INVASION offered the viewers a stimulating panorama of contemporary Argentinean cinema, a landscape full of details: different stories, different forms, new structures and rhythms. By screening 15 films, INVASION puts the tension in its programming, allowing the spectator to go through the themes, discussions, searches and concerns of the contemporary Argentine cinematography (and society) from the films’ perspectives.<\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elincendio-fotograma01.jpg” title_text=”elincendio-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

El incendio<\/h2>\n

Juan Schnitman, 2015, Arg., 95 min.<\/span>, OmeU<\/p>\n

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El pasado roto<\/h2>\n

M. Morgenfeld y S. Schjaer, 2015, Arg., 16 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/laprincesadefrancia-fotograma01.jpg” title_text=”laprincesadefrancia-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

La princesa de Francia<\/h2>\n

Matias Pi\u00f1eiro, 2014, Arg., 70 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/japonesita-fotograma01.jpg” title_text=”japonesita-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

Japonesita<\/h2>\n

Ignacio Masllorens, 2014, Arg., 4:44 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/sijesuisperducestpasgrave-fotograma01.jpg” title_text=”sijesuisperducestpasgrave-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

Si je suis perdu, c\u2019est pas grave<\/h2>\n

Santiago Loza, 2014, Arg., 95 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/guilliver-fotograma01.jpg” title_text=”guilliver-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

Gulliver<\/h2>\n

Mar\u00eda Alch\u00e9 , 2014, Arg., 25 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lasalada-forograma01.jpg” title_text=”lasalada-forograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

La Salada<\/h2>\n

Juan Mart\u00edn Hsu,\u00a0 2015, Arg, 92 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/themadhalfhour-fotograma01.jpg” title_text=”themadhalfhour-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

The Mad Half Hour<\/h2>\n

Leonardo Brzezicki, 2015, Arg., 22 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elperromolina-fotograma01.jpg” title_text=”elperromolina-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

El perro Molina<\/h2>\n

Jos\u00e9 Celestino Campusano, 2014, Arg., 88 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/pudeverunpuma-fotograma01.jpg” title_text=”pudeverunpuma-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

Pude ver un puma<\/h2>\n

Eduardo Williams, 2011, Arg., 17 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/mauro-fotograma02.jpg” title_text=”mauro-fotograma02″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

Mauro<\/h2>\n

Hern\u00e1n Roselli, 2014, Arg., 80 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/mujer100cabezas-fotograma01.jpg” title_text=”mujer100cabezas-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

Mujer 100 Cabezas<\/h2>\n

Paulo P\u00e9cora,\u00a0 2015, Arg., 12 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/enfrentaranimalessalvajes-fotograma01.jpg” title_text=”enfrentaranimalessalvajes-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n

Enfrentar animales salvajes<\/h2>\n

Jer\u00f3nimo Quevedo, 2015, Arg., 8 min, OmeU<\/p>\n

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Juana a los doce<\/h2>\n

Mart\u00edn Shanly, 2014, Arg., 75 min, OmeU<\/p>\n

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La reina<\/h2>\n

Manuel Abramovich, 2013, Arg., 19 min, OmeU<\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Footer” _builder_version=”4.0.6″ use_background_color_gradient=”on” background_color_gradient_start=”#000000″ background_color_gradient_end=”rgba(0,0,0,0)” background_color_gradient_end_position=”50%” background_color_gradient_overlays_image=”on” background_image=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/10\/theater-01.jpg” custom_padding=”23px||32px|||” locked=”off”][et_pb_row _builder_version=”3.29.1″ custom_padding=”19px|||||”][et_pb_column type=”4_4″ _builder_version=”3.29.1″][et_pb_text _builder_version=”4.6.6″ header_2_font=”Montserrat|300|||||||” header_2_font_size=”40px” header_2_line_height=”1.2em” header_3_font=”Montserrat|700||on|||||” header_3_text_color=”#f9002b” header_3_font_size=”16px” header_3_letter_spacing=”2px” header_3_line_height=”1.4em” header_4_font=”Montserrat||||||||” background_layout=”dark” header_2_font_size_tablet=”30px” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|phone” header_3_font_size_tablet=”14px” header_3_font_size_phone=”” header_3_font_size_last_edited=”on|phone” locked=”off”]<\/p>\n

Invasion Berlin es posible gracias al apoyo de<\/b><\/h4>\n

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Invasion Berlin 2015 Berlin For 7 days, in the historic Cine Moviemento, 7 feature films and 8 short films highlighted the stimulating and diverse current state of Argentine cinema. INVASION is a celebration, but also a meeting point for the inhabitants of the German capital to get closer to Argentine culture. In its second edition, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n\n\n

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