Buenos Aires – Berlin<\/strong><\/h2>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Info” _builder_version=”4.0.6″ background_color=”#000000″ custom_padding=”35px||15px|||”][et_pb_row _builder_version=”4.0.6″ locked=”off”][et_pb_column type=”4_4″ _builder_version=”4.0.6″][et_pb_toggle title=”In September 2014, Argentine culture, hand in hand with the cinema, visited the German capital. Starting with the screening of 10 films, various cultural activities took place in various parts of the city.” open_toggle_text_color=”#ffffff” use_icon_font_size=”on” icon_font_size=”26px” _builder_version=”4.7.1″ _module_preset=”default” title_text_color=”#ffffff” title_font=”Montserrat|700|||||||” closed_title_font=”Montserrat|700|||||||” body_text_align=”justify” body_text_color=”#ffffff” background_color=”#000000″ hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n
For a month, various artistic disciplines crossed paths, strengthening and generating multiple and unexpected connections that presented a current and dynamic panorama of contemporary Argentine culture.<\/p>\n
Through the works of more than 40 artists, the inhabitants of Berlin had the possibility to access the variety and richness of current cultural expressions in different scenarios, which in turn implied a tour of Berlin. The emblematic Babylon cinema in Mitte, various established galleries and new art spaces in Kreuzberg, Sch\u00f6neberg, Friedrichshain and Neuk\u00f6lln, the bookstore La Rayuela, as well as the restaurants Sudaka bei Chakall and Gloria Bar, were the venues for this festival.<\/p>\n
[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/invasion-fotograma01.jpg” title_text=”invasion-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n
Invasi\u00f3n<\/h2>\n Hugo Santiago, 1969, Arg., 123 min.<\/span>, OmeU<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/viola-fotograma01.jpg” title_text=”viola-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n
Viola<\/h2>\n Mat\u00edas Pi\u00f1eiro, 2012, Arg., 65 min, OmeU<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elcaminodelvino-fotograma01.jpg” title_text=”elcaminodelvino-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n
El camino del vino<\/h2>\n Nicol\u00e1s Carreras, 2012, Arg., OmeU<\/p>\n
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Mart\u00edn Blazko III<\/h2>\n Ignacio Masllorens, 2011, Arg., 70 min, OmeU<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/m-fotograma01.jpg” title_text=”m-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n
M<\/h2>\n Nicol\u00e1s Pridivera, 2007, Arg., 150 min, OmeU<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/cafedelosmaestros-fotograma01.jpg” title_text=”cafedelosmaestros-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n
Caf\u00e9 de los Maestros<\/h2>\n Miguel Kohan, 2008, Arg., 90 min, OmeU<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/los-posibles-fotograma01.jpg” title_text=”los-posibles-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n
Los posibles<\/h2>\n Santiago Mitre y Juan Onofri Barbato, 2013, Arg, 55 min, OmeU<\/span><\/p>\n\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/civilizacion-fotograma01.jpg” title_text=”civilizacion-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n
Civilizaci\u00f3n<\/h2>\n Rub\u00e9n Guzm\u00e1n, 2012, Arg., 55 min, OmeU<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elartista-fotograma01.jpg” title_text=”elartista-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n
El artista<\/h2>\n Mariano Cohn y Gast\u00f3n Duprat, 2008, Arg., 110 min, OmeU<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”4.6.6″][et_pb_column type=”1_3″ _builder_version=”4.0.6″][et_pb_image src=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/suden-fotograma01.jpg” title_text=”suden-fotograma01″ _builder_version=”4.6.6″ locked=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.6.6″ custom_padding=”50px||||false|false”][et_pb_text _builder_version=”4.6.6″ text_text_color=”rgba(255,255,255,0.7)” header_2_font=”Montserrat|700|||||||” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_padding=”||||false|false”]<\/p>\n
S\u00fcden<\/h2>\n Gast\u00f3n Solnicki, 2008, Arg., 67 min, OmeU<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”off|phone” admin_label=”Header” _builder_version=”4.6.6″ use_background_color_gradient=”on” background_color_gradient_start=”rgba(0,0,0,0.5)” background_color_gradient_end=”rgba(0,0,0,0.64)” background_color_gradient_overlays_image=”on” background_image=”https:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/invasion2014-banner.jpg” parallax=”on” parallax_method=”off” custom_padding=”60px||60px||true|false” locked=”off”][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
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