{"id":2278,"date":"2021-04-09T16:14:25","date_gmt":"2021-04-09T16:14:25","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?p=2278"},"modified":"2021-11-05T11:37:14","modified_gmt":"2021-11-05T11:37:14","slug":"floras-life-is-no-picnic","status":"publish","type":"post","link":"https:\/\/invasionberlin.com\/festival\/en\/floras-life-is-no-picnic\/","title":{"rendered":"Flora\u2019s life is no picnic"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Info&#8221; _builder_version=&#8221;4.0.6&#8243; background_color=&#8221;#000000&#8243; custom_padding=&#8221;0px||15px|||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.0.6&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.0.6&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.9.3&#8243; text_text_color=&#8221;#ffffff&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;Montserrat|700|||||||&#8221; header_font_size=&#8221;40px&#8221; header_2_font=&#8221;Montserrat|700|||||||&#8221; header_2_font_size=&#8221;30px&#8221; header_3_font=&#8221;Montserrat|600|||||||&#8221; background_layout=&#8221;dark&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<div class=\"x-text\">\n<h3>Sinopsis<\/h3>\n<p style=\"text-align: justify;\">Flora Schvartzman is a 90-year-old single woman who wishes to die since the day she was born. Estranged from her family, she comes into contact again in order to organize her own death. Iair, his great-nephew, is the first one to become interested in her and above all&#8230; in herheirless apartment.<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.0.6&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_video src=&#8221;https:\/\/vimeo.com\/534931740&#8243; play_icon_color=&#8221;rgba(0,0,0,0)&#8221; thumbnail_overlay_color=&#8221;rgba(0,0,0,0.6)&#8221; _builder_version=&#8221;4.9.3&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; icon_font_size__hover_enabled=&#8221;off|hover&#8221; icon_font_size__hover=&#8221;43px&#8221; play_icon_color__hover_enabled=&#8221;on|desktop&#8221; play_icon_color__hover=&#8221;#ffffff&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.6.6&#8243; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.0.6&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.9.3&#8243; text_text_color=&#8221;#ffffff&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;Montserrat|700|||||||&#8221; header_font_size=&#8221;40px&#8221; header_2_font=&#8221;Montserrat|700|||||||&#8221; header_2_font_size=&#8221;30px&#8221; header_3_font=&#8221;Montserrat|600|||||||&#8221; background_layout=&#8221;dark&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<h3>DIRECTOR\u2019S NOTE<\/h3>\n<p style=\"text-align: justify;\">I have always felt drawn to relate with elderly people. Since I was little, I always felt a kind of melancholia towards their lives. Their past. Their monotonous present and above all, their aspirations regarding the future. What can an old person wait for? At what age does a person become \u201can old person\u201d? And if even I am afraid of death, what can an old person feel as they see death closer than me? After a number of family conflicts, life gave me my aunt Flora back, at a moment full of existential doubts towards my own life. I started to record her with my camera and discovered that Flora didn\u2019t live her life as any mortal would&#8230; she had already started to transit death. This documentary talks about death in life, about the concretion of my own wishes at the expense of exposing my own human miseries, but above all, it talks about blood kin. It is a documentary about family.<\/p>\n<h3>Credits<\/h3>\n<p><strong>Cast:<\/strong> Adriana Schvartzman \u2013 Flora Schvartzman \u2013 Iair Said <br \/><strong>Director: <\/strong>Iair Said<br \/><strong>Producers:<\/strong> Eugenia Campos Guevara \u2013 Flor Efron\u2013 Iair Said <br \/><strong>Production company:<\/strong> Gentil <br \/><strong>Editor:<\/strong> Flor Efron <br \/><strong>Original music:<\/strong> Mat\u00edas Schiselman &#8211; Fernando Martino <br \/><strong>Sound mix:<\/strong> J\u00e9sica Suarez \u2013 Diego Hern\u00e1n Marcone <br \/><strong>Image postproduction:<\/strong> Lahaye post <br \/><strong>Graphic design:<\/strong> Pepita Sandwich<\/p>\n<h3><span style=\"font-weight: 400;\">AWARDS AND FESTIVALS<\/span><\/h3>\n<p><span style=\"font-weight: 400;\">W.I.P. Bienal de Arte joven de Buenos Aires<br \/><\/span><span style=\"font-weight: 400;\">Robert Flaherty Film Seminar Award<br \/><\/span><span style=\"font-weight: 400;\">Best feature film &#8211; Fondo metropolitano de la Ciudad de Buenos Aires<br \/><\/span><span style=\"font-weight: 400;\">World premiere: BAFICI 2018 (Argentine Competition)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Iair Said, Argentina, 65\u2019, 2019<\/p>\n","protected":false},"author":1,"featured_media":2030,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[388,389],"tags":[],"class_list":["post-2278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ciclos","category-documentales-en-primavera"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts\/2278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/comments?post=2278"}],"version-history":[{"count":12,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts\/2278\/revisions"}],"predecessor-version":[{"id":2803,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts\/2278\/revisions\/2803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/media\/2030"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/media?parent=2278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/categories?post=2278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/tags?post=2278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}