{"id":2336,"date":"2021-04-09T17:46:30","date_gmt":"2021-04-09T17:46:30","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?p=2336"},"modified":"2021-11-05T11:37:09","modified_gmt":"2021-11-05T11:37:09","slug":"playback-rehearsal-of-a-farewell","status":"publish","type":"post","link":"https:\/\/invasionberlin.com\/festival\/en\/playback-rehearsal-of-a-farewell\/","title":{"rendered":"Playback, rehearsal of a farewell"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Info&#8221; _builder_version=&#8221;4.0.6&#8243; background_color=&#8221;#000000&#8243; custom_padding=&#8221;0px||15px|||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.0.6&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.0.6&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.9.3&#8243; text_text_color=&#8221;#ffffff&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;Montserrat|700|||||||&#8221; header_font_size=&#8221;40px&#8221; header_2_font=&#8221;Montserrat|700|||||||&#8221; header_2_font_size=&#8221;30px&#8221; header_3_font=&#8221;Montserrat|600|||||||&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;||7px|||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<div class=\"x-text\">\n<h3>Synopsis<\/h3>\n<p style=\"text-align: justify;\">Argentina in the late 1980s: Catholic, conservative and shaped by a military dictatorship. \u201cLa Delpi\u201d, the sole survivor of a group of transgender women and drag queens, talks about how their shows in basement theatres galvanised the community and helped them in their struggle against AIDS and police violence. How they healed their wounds with lipstick, playback performances and improvised stage outfits. And how they invented happy endings for those who were to die. A farewell letter compiled from VHS memories.\n<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.0.6&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_video src=&#8221;https:\/\/vimeo.com\/534931640&#8243; play_icon_color=&#8221;rgba(0,0,0,0)&#8221; thumbnail_overlay_color=&#8221;rgba(0,0,0,0.6)&#8221; _builder_version=&#8221;4.9.3&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; icon_font_size__hover_enabled=&#8221;off|hover&#8221; icon_font_size__hover=&#8221;43px&#8221; play_icon_color__hover_enabled=&#8221;on|desktop&#8221; play_icon_color__hover=&#8221;#ffffff&#8221; sticky_enabled=&#8221;0&#8243;][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.6.6&#8243; custom_margin=&#8221;0px||0px||true|false&#8221; custom_padding=&#8221;0px||0px||true|false&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.0.6&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.9.3&#8243; text_text_color=&#8221;#ffffff&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;Montserrat|700|||||||&#8221; header_font_size=&#8221;40px&#8221; header_2_font=&#8221;Montserrat|700|||||||&#8221; header_2_font_size=&#8221;30px&#8221; header_3_font=&#8221;Montserrat|600|||||||&#8221; background_layout=&#8221;dark&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<h3><strong>Credits<\/strong><\/h3>\n<p>Cast: Marcos Garc\u00eda, La Delpi. Mart\u00edn Shanly<\/p>\n<p><strong>Written and directed:<\/strong>\u00a0Agustina Comedi<br \/><strong>Cinematography:<\/strong>\u00a0Magal\u00ed M\u00e9rida<br \/><strong>Editing:<\/strong>\u00a0Valeria Racioppi<br \/><strong>Sound Design:<\/strong>\u00a0Guido Deniro<br \/><strong>Art Director:<\/strong>\u00a0Federico Tapia, Mart\u00edn Paolorossi<br \/><strong>Costumes:<\/strong>\u00a0Romina Guti\u00e9rrez<br \/><strong>Assistant Director:<\/strong>\u00a0Paula Ail\u00e9n Belli<br \/><strong>Colourist:<\/strong>\u00a0Ada Frontini<br \/><strong>Visual Effects:<\/strong>\u00a0Bruno Fauceglia<br \/><strong>Production Manager:<\/strong>\u00a0Ana Luc\u00eda Frau<br \/><strong>Producer:<\/strong>\u00a0Magal\u00ed M\u00e9rida<\/p>\n<h3><strong>AWARDS &amp; FESTIVALS<\/strong><\/h3>\n<p>Best Short Film \/ National Competition \u2013 Mar del Plata International Film Festival 2019<br \/>Teddy Award to Best Short Film \u2013 Berlinale 2020<br \/>Special Mention of the Jury \u2013 Kreiv\u0117s Vilnius Queer Festival 2020<br \/>Audience\u00a0Award \/\u00a0National Short Film Competition \u2013 FestiFreak International Independent Film Festival 2020<br \/>\u201cAndr\u00e9 S. Labarthe Award\u201d for Best Short Film \u2013 Entrevues Belfort International Film Festival 2020<br \/>Punto de Vista International Documentary Film Festival<br \/>Thessaloniki International Documentary Film Festival<br \/>Hot Docs Canadian International Documentary Film Festival<br \/>Jeonju International Film Festival<br \/>Sheffield Doc\/Fest.<br \/>Melbourne International Film Festival<br \/>Vancouver International Film Festival<br \/>Calgary International Film Festival<br \/>Olhar de Cinema, Curitiba International Film Festival<br \/>FicValdivia, Valdivia International Film Festival<br \/>Doclisboa International Film Festival<br \/>Leeds International Film Festival<br \/>Asterisco, International LGBTQ Film Festival<br \/>New Directors \/ New Films Festival<br \/>DocumentaMadrid International Documentary Film Festival<br \/>Nan Goldin Selects: Playback &amp; Silence Is a Falling Body | Metrograph Cinema, NYC<br \/>Rencontres Internationales Paris\/Berlin \u00b7 Louvre Museum<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Agustina Comedi, Argentina, 14\u2019, 2019<\/p>\n","protected":false},"author":1,"featured_media":2264,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1080","footnotes":""},"categories":[388,389],"tags":[],"class_list":["post-2336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ciclos","category-documentales-en-primavera"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts\/2336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/comments?post=2336"}],"version-history":[{"count":11,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts\/2336\/revisions"}],"predecessor-version":[{"id":2801,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts\/2336\/revisions\/2801"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/media\/2264"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/media?parent=2336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/categories?post=2336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/tags?post=2336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}