{"id":4548,"date":"2023-07-15T14:39:01","date_gmt":"2023-07-15T12:39:01","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?p=4548"},"modified":"2024-07-18T16:10:08","modified_gmt":"2024-07-18T14:10:08","slug":"argentina-1985","status":"publish","type":"post","link":"https:\/\/invasionberlin.com\/festival\/en\/argentina-1985\/","title":{"rendered":"Argentina, 1985"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Info&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#000000&#8243; custom_padding=&#8221;0px||15px|||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.16&#8243; width=&#8221;auto&#8221; max_width=&#8221;none&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.21.0&#8243; text_text_color=&#8221;#ffffff&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;Montserrat|700|||||||&#8221; header_font_size=&#8221;40px&#8221; header_2_font=&#8221;Montserrat|700|||||||&#8221; header_2_font_size=&#8221;30px&#8221; header_3_font=&#8221;Montserrat|600|||||||&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;|-11px|12px|||&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<div class=\"x-text\">\n<h3>Synopsis<\/h3>\n<p>Inspired by the true story of prosecutor Julio Strassera, Luis Moreno Ocampo and their young legal team who dared to accuse, against the clock and under constant threat, the high commanders of Argentina&#8217;s bloody military dictatorship (1976-1983) in the Trial of the Juntas in the mid-1980s.<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_video src=&#8221;https:\/\/www.youtube.com\/watch?v=a4iiyPOM6rA&#8221; play_icon_color=&#8221;rgba(0,0,0,0)&#8221; thumbnail_overlay_color=&#8221;rgba(0,0,0,0.6)&#8221; _builder_version=&#8221;4.21.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221; icon_font_size__hover_enabled=&#8221;off|hover&#8221; icon_font_size__hover=&#8221;43px&#8221; play_icon_color__hover_enabled=&#8221;on|desktop&#8221; play_icon_color__hover=&#8221;#ffffff&#8221; theme_builder_area=&#8221;post_content&#8221;][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; width=&#8221;auto&#8221; max_width=&#8221;none&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;][et_pb_text _builder_version=&#8221;4.21.0&#8243; text_text_color=&#8221;#ffffff&#8221; text_line_height=&#8221;1.8em&#8221; header_font=&#8221;Montserrat|700|||||||&#8221; header_font_size=&#8221;40px&#8221; header_2_font=&#8221;Montserrat|700|||||||&#8221; header_2_font_size=&#8221;30px&#8221; header_3_font=&#8221;Montserrat|600|||||||&#8221; background_layout=&#8221;dark&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221; theme_builder_area=&#8221;post_content&#8221;]<\/p>\n<h3>Credits<\/h3>\n<p>Argentina, 2022, 140 Min., Spanish with English subt.<\/p>\n<p>Director: Santiago Mitre<\/p>\n<p>Script: Santiago Mitre &amp; Mariano Llin\u00e1s<\/p>\n<p>Producers: Victoria Alonso, Santiago Carabante, Chino Dar\u00edn, Ricardo Dar\u00edn, Axel Kuschevasky, Agustina Llambi-Campbell, Santiago Mitre, Federico Posternak<\/p>\n<p>Production Comp.: La Uni\u00f3n de los R\u00edos,\u00a0Kenya Films,\u00a0Infinity Hill,\u00a0Amazon Studios<\/p>\n<p>Direction of Photography: Javier Juli\u00e1<\/p>\n<p>Editor:\u00a0 Andr\u00e9s Pepe Estrada<\/p>\n<p>Art Direction: Micaela Saiegh<\/p>\n<p>Sound Designer: Santiago Fumagalli (ASA)<\/p>\n<p>Music: \u00a0Pedro Osuna<\/p>\n<p>Special Effects: Leandro Pugliese<\/p>\n<p>Cast: Ricardo Dar\u00edn,\u00a0Peter Lanzani,\u00a0Alejandra Flechner,\u00a0Carlos Portaluppi,\u00a0Norman Briski,\u00a0H\u00e9ctor D\u00edaz,\u00a0Alejo Garc\u00eda Pintos,\u00a0Claudio Da Passano,\u00a0Gina Mastronicola,\u00a0Walter Jakob,\u00a0Laura Paredes,\u00a0Gabriel Fern\u00e1ndez<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Festivals and Awards<\/strong><\/h3>\n<p>. Oscars: Best International Feature Film (Nominated)<\/p>\n<p>. Golden Globes: Best Foreign Language Film<\/p>\n<p>. Venice International Film Festival: FIPRESCI Award<\/p>\n<p>. San Sebasti\u00e1n International Film Festival: Audience Award<\/p>\n<p>. Goya Awards: Best Ibero-American Film<\/p>\n<p>. National Board of Review: Freedom of Expression Award &amp; Top 5 Foreign Language Films<\/p>\n<p>. Platino Awards: Best Ibero-American Film, Best Actor (Ricardo Dar\u00edn), Best Screenplay, Best Art Direction, Film &amp; Education Values<\/p>\n<p>. Saint-Jordi Awards: Best Foreign Film<\/p>\n<p>. Satellite Awards: Best Motion Picture \u2013 Internacional<\/p>\n<p>. Silver Condor Awards: Best Fiction Film, BA Visual Audience Award, Best Director, Best Actor (Ricardo Dar\u00edn), Best Supporting Actress (Laura Paredes), Best Supporting Actor (Norman Brisky), Best Original Screenplay, Best Cinematography, Best Editing, Best Casting, Best Sound Design, Best Costume Design, Best Art Direction, Best Make-Up and Hair Styling<\/p>\n<p>. Forqu\u00e9 Awards: Best Latin-American Film<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Santiago Mitre &#8211; 2022 &#8211; Argentina &#8211; 140 Min. &#8211; Spanish with English subtitles (OmeU)<\/p>\n","protected":false},"author":3,"featured_media":4559,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[425],"tags":[],"class_list":["post-4548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2023-en"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts\/4548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/comments?post=4548"}],"version-history":[{"count":9,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts\/4548\/revisions"}],"predecessor-version":[{"id":4611,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/posts\/4548\/revisions\/4611"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/media\/4559"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/media?parent=4548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/categories?post=4548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/en\/wp-json\/wp\/v2\/tags?post=4548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}