{"id":845,"date":"2020-11-12T16:19:29","date_gmt":"2020-11-12T16:19:29","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?page_id=845"},"modified":"2020-11-19T09:52:17","modified_gmt":"2020-11-19T09:52:17","slug":"edicion-2016","status":"publish","type":"page","link":"https:\/\/invasionberlin.com\/festival\/edicion-2016\/","title":{"rendered":"Edici\u00f3n 2016"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ custom_padding_last_edited=\u00bboff|phone\u00bb admin_label=\u00bbHeader\u00bb _builder_version=\u00bb4.6.6″ use_background_color_gradient=\u00bbon\u00bb background_color_gradient_start=\u00bbrgba(0,0,0,0.5)\u00bb background_color_gradient_end=\u00bbrgba(0,0,0,0.64)\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/edicion2016-banner.jpg\u00bb parallax=\u00bbon\u00bb custom_padding=\u00bb80px||80px||true|false\u00bb locked=\u00bboff\u00bb][et_pb_row _builder_version=\u00bb4.0.6″][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.0.6″ custom_padding_tablet=\u00bb30px||30px||true|false\u00bb custom_padding_last_edited=\u00bboff|desktop\u00bb][et_pb_text _builder_version=\u00bb4.7.1″ text_text_color=\u00bbrgba(255,255,255,0.5)\u00bb text_font_size=\u00bb16px\u00bb text_line_height=\u00bb1.8em\u00bb header_font=\u00bbMontserrat|700||on|||||\u00bb header_text_align=\u00bbcenter\u00bb header_font_size=\u00bb40px\u00bb header_2_font=\u00bbMontserrat||||||||\u00bb header_2_text_align=\u00bbcenter\u00bb header_3_font=\u00bbMontserrat|700||on|||||\u00bb header_3_text_color=\u00bbrgba(255,255,255,0.5)\u00bb header_3_font_size=\u00bb16px\u00bb header_3_letter_spacing=\u00bb2px\u00bb header_3_line_height=\u00bb1.4em\u00bb background_layout=\u00bbdark\u00bb hover_enabled=\u00bb0″ header_3_font_size_tablet=\u00bb14px\u00bb header_3_font_size_phone=\u00bb\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb text_text_align=\u00bbleft\u00bb locked=\u00bboff\u00bb sticky_enabled=\u00bb0″]<\/p>\n

Invasion Berlin 2016<\/h1>\n

Berlin – Buenos Aires<\/strong><\/h2>\n
\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ admin_label=\u00bbInfo\u00bb _builder_version=\u00bb4.0.6″ background_color=\u00bb#000000″ custom_padding=\u00bb35px||15px|||\u00bb][et_pb_row _builder_version=\u00bb4.0.6″ locked=\u00bboff\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.0.6″][et_pb_toggle title=\u00bbAcerca de la edici\u00f3n 2016″ open_toggle_text_color=\u00bb#ffffff\u00bb use_icon_font_size=\u00bbon\u00bb icon_font_size=\u00bb26px\u00bb _builder_version=\u00bb4.7.0″ _module_preset=\u00bbdefault\u00bb title_text_color=\u00bb#ffffff\u00bb title_font=\u00bbMontserrat|700|||||||\u00bb closed_title_font=\u00bbMontserrat|700|||||||\u00bb body_text_align=\u00bbjustify\u00bb body_text_color=\u00bb#ffffff\u00bb background_color=\u00bb#000000″]<\/p>\n

Durante una semana, INVASION presenta films muy diversos entre s\u00ed, pero que comparten un objetivo en com\u00fan: desafiar al espectador, invitarlo a intentar definir lo que est\u00e1 viendo. En esta tercera edici\u00f3n, dos puntos fuertes sobresalen en el programa: la notable y m\u00faltiple presencia femenina, tanto detr\u00e1s como delante de c\u00e1mara; y el acercamiento personal -formal o de contenido- de varios de los films hacia los g\u00e9neros cl\u00e1sicos<\/span><\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00bbAngela Schanelec en Buenos Aires\u00bb open_toggle_text_color=\u00bb#ffffff\u00bb use_icon_font_size=\u00bbon\u00bb icon_font_size=\u00bb26px\u00bb _builder_version=\u00bb4.7.1″ _module_preset=\u00bbdefault\u00bb title_text_color=\u00bb#ffffff\u00bb title_font=\u00bbMontserrat|700|||||||\u00bb closed_title_font=\u00bbMontserrat|700|||||||\u00bb body_text_align=\u00bbjustify\u00bb body_text_color=\u00bb#ffffff\u00bb background_color=\u00bb#000000″ hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n

Encuentro con Angela Schanelec.<\/p>\n

INVASION, en colaboraci\u00f3n con el Goethe Institut y la Sala Leopoldo Lugones – TGSM, presenta del mi\u00e9rcoles 22 al domingo 26 de junio del 2016, una muestra integrada por cinco films nunca estrenados en Argentina de una de las m\u00e1s importantes realizadoras del cine alem\u00e1n actual.<\/p>\n

Adem\u00e1s, Schanelec estar\u00e1 en Buenos Aires para presentar personalmente su obra y ofrecer dos charlas p\u00fablicas.<\/p>\n

Programa:<\/p>\n

La Suerte de mi hermana (1994)<\/p>\n

Mi vida lenta (2001)<\/p>\n

Marseille (2004)<\/p>\n

Atardecer (2007)<\/p>\n

Orly (2010)<\/p>\n

+<\/p>\n

Jueves 23, 17hs.<\/p>\n

Angela Schanelec en di\u00e1logo con Laura Citarella, en la Universidad del Cine<\/p>\n

Viernes 24, 20:30hs.<\/p>\n

Angela Schanelec en di\u00e1logo con Diego Brodersen, en el Cultural San Mart\u00edn<\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/miamigaenelparque-fotograma01.jpg\u00bb title_text=\u00bbmiamigaenelparque-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

MI AMIGA DEL PARQUE<\/h2>\n

Ana Katz, 2015, Arg., 86 min.<\/span>, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elmesdelamigo-fotograma.png\u00bb title_text=\u00bbelmesdelamigo-fotograma\u00bb _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

EL MES DEL AMIGO<\/h2>\n

Florencia Percia, 2016, Arg., 16 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/laluzincidente-fotograma01.jpg\u00bb title_text=\u00bblaluzincidente-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

LA LUZ INCIDENTE<\/h2>\n

Ariel Rotter, 2016, Arg., 95 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lasimagenesdehelena-fotograma01.jpg\u00bb title_text=\u00bblasimagenesdehelena-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

LAS IM\u00c1GENES DE HELENA<\/h2>\n

Andrea Santamar\u00eda, 2016, Arg., 14 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

UNA NOVIA DE SHANGHAI<\/h2>\n

Mauro Andrizzi, 2016, Arg., 73 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lanoviadefrankenstein-fotograma01.png\u00bb title_text=\u00bblanoviadefrankenstein-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

LA NOVIA DE FRANKENSTEIN<\/h2>\n

Francisco Lezama y Agostina G\u00e1lvez, 2015, Arg., 12 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/10\/elmovimiento-fotograma01.jpg\u00bb title_text=\u00bbelmovimiento-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

EL MOVIMIENTO<\/h2>\n

Benjam\u00edn Naishtat, 2016, Arg, 70 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/losexploradores-fotograma01.png\u00bb title_text=\u00bblosexploradores-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

LOS EXPLORADORES<\/h2>\n

Ferm\u00edn Eloy Acosta, Sol Bolloqui, Luc\u00eda Salas. 2016, Arg., 9 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/diamantemandarin-fotograma01.jpg\u00bb title_text=\u00bbdiamantemandarin-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

DIAMANTE MANDAR\u00cdN<\/h2>\n

Juan Mart\u00edn Hsu. 2015, Arg., 15 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lacalledelospianistas-fotograma01.png\u00bb title_text=\u00bblacalledelospianistas-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

LA CALLE DE LOS PIANISTAS<\/h2>\n

Mariano Nante. 2015, Arg., 87 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/lagaviota-fotograma01.jpg\u00bb title_text=\u00bblagaviota-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

LA GAVIOTA<\/h2>\n

Esteban Perroud. 2014, Arg., 15 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/laslindas-fotograma01.jpg\u00bb title_text=\u00bblaslindas-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

LAS LINDAS<\/h2>\n

Melisa Liebenthal. 2016, Arg., 77 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/mariamaria-fotograma01.jpg\u00bb title_text=\u00bbmariamaria-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

MAR\u00edA MAR\u00edA<\/h2>\n

Jazm\u00edn L\u00f3pez. 2013, Arg., 2 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/clara-fotograma01.jpg\u00bb title_text=\u00bbclara-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

CLARA<\/h2>\n

Laura Huberman. 2015, Arg., 15 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/caminodecampana-fotograma01.jpg\u00bb title_text=\u00bbcaminodecampana-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

CAMINO DE CAMPA\u00d1A<\/h2>\n

Nicol\u00e1s Grosso. 2014, Arg., 88 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,2_3″ _builder_version=\u00bb4.6.6″][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.0.6″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/elladodelosoponenetes-fotograma01.jpg\u00bb title_text=\u00bbelladodelosoponenetes-fotograma01″ _builder_version=\u00bb4.6.6″ locked=\u00bboff\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb2_3″ _builder_version=\u00bb4.6.6″ custom_padding=\u00bb50px||||false|false\u00bb][et_pb_text _builder_version=\u00bb4.6.6″ text_text_color=\u00bbrgba(255,255,255,0.7)\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb header_3_font_size=\u00bb18px\u00bb background_layout=\u00bbdark\u00bb custom_padding=\u00bb||||false|false\u00bb]<\/p>\n

EL LADO DE LOS OPONENTES<\/h2>\n

Francisco Pedemonte. 2015, Arg., 20 min, OmeU<\/p>\n

\n
<\/div>\n<\/div>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ admin_label=\u00bbFooter\u00bb _builder_version=\u00bb4.0.6″ use_background_color_gradient=\u00bbon\u00bb background_color_gradient_start=\u00bb#000000″ background_color_gradient_end=\u00bbrgba(0,0,0,0)\u00bb background_color_gradient_end_position=\u00bb50%\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/10\/theater-01.jpg\u00bb custom_padding=\u00bb23px||32px|||\u00bb locked=\u00bboff\u00bb][et_pb_row _builder_version=\u00bb3.29.1″ custom_padding=\u00bb19px|||||\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.29.1″][et_pb_text _builder_version=\u00bb4.6.6″ header_2_font=\u00bbMontserrat|300|||||||\u00bb header_2_font_size=\u00bb40px\u00bb header_2_line_height=\u00bb1.2em\u00bb header_3_font=\u00bbMontserrat|700||on|||||\u00bb header_3_text_color=\u00bb#f9002b\u00bb header_3_font_size=\u00bb16px\u00bb header_3_letter_spacing=\u00bb2px\u00bb header_3_line_height=\u00bb1.4em\u00bb header_4_font=\u00bbMontserrat||||||||\u00bb background_layout=\u00bbdark\u00bb header_2_font_size_tablet=\u00bb30px\u00bb header_2_font_size_phone=\u00bb20px\u00bb header_2_font_size_last_edited=\u00bbon|phone\u00bb header_3_font_size_tablet=\u00bb14px\u00bb header_3_font_size_phone=\u00bb\u00bb header_3_font_size_last_edited=\u00bbon|phone\u00bb locked=\u00bboff\u00bb]<\/p>\n

Invasion Berlin es posible gracias al apoyo de<\/b><\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=\u00bbon\u00bb _builder_version=\u00bb4.6.6″ background_color=\u00bb#ffffff\u00bb custom_padding=\u00bb16px||0px|||\u00bb border_radii=\u00bboff|20px|20px||\u00bb locked=\u00bboff\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb3.27.3″][et_pb_image src=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/10\/logo-berlin.jpg\u00bb title_text=\u00bblogo-berlin\u00bb align=\u00bbcenter\u00bb _builder_version=\u00bb4.6.6″ _module_preset=\u00bbdefault\u00bb background_enable_color=\u00bboff\u00bb width=\u00bb250px\u00bb][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row make_equal=\u00bbon\u00bb _builder_version=\u00bb4.6.6″ background_color=\u00bb#ffffff\u00bb module_alignment=\u00bbcenter\u00bb custom_padding=\u00bb16px||0px|||\u00bb border_radii=\u00bboff|||10px|10px\u00bb locked=\u00bboff\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.6.6″ custom_css_main_element=\u00bbmargin: auto;\t\u00ab][et_pb_text _builder_version=\u00bb4.6.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb|20px||20px|false|true\u00bb border_color_all=\u00bb#ffffff\u00bb custom_css_after__hover_enabled=\u00bboff|desktop\u00bb]<\/p>\n\n\n\n
<\/td>\n<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n\n\n
\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ custom_padding_last_edited=\u00bboff|phone\u00bb admin_label=\u00bbHeader\u00bb _builder_version=\u00bb4.6.6″ use_background_color_gradient=\u00bbon\u00bb background_color_gradient_start=\u00bbrgba(0,0,0,0.5)\u00bb background_color_gradient_end=\u00bbrgba(0,0,0,0.64)\u00bb background_color_gradient_overlays_image=\u00bbon\u00bb background_image=\u00bbhttps:\/\/invasionberlin.com\/festival\/wp-content\/uploads\/2020\/11\/edicion2016-banner.jpg\u00bb parallax=\u00bbon\u00bb parallax_method=\u00bboff\u00bb custom_padding=\u00bb60px||60px||true|false\u00bb locked=\u00bboff\u00bb][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Invasion Berlin 2016 Berlin – Buenos Aires Durante una semana, INVASION presenta films muy diversos entre s\u00ed, pero que comparten un objetivo en com\u00fan: desafiar al espectador, invitarlo a intentar definir lo que est\u00e1 viendo. En esta tercera edici\u00f3n, dos puntos fuertes sobresalen en el programa: la notable y m\u00faltiple presencia femenina, tanto detr\u00e1s como […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n\n\n

<\/figure>
\n

<\/p>\n<\/div><\/div>\n\n\n\n

<\/figure>
\n

<\/p>\n<\/div><\/div>\n\n\n\n

<\/figure>
\n

<\/p>\n<\/div><\/div>\n\n\n","_et_gb_content_width":"","footnotes":""},"class_list":["post-845","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/pages\/845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/comments?post=845"}],"version-history":[{"count":19,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/pages\/845\/revisions"}],"predecessor-version":[{"id":1781,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/pages\/845\/revisions\/1781"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/media?parent=845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}