[et_pb_section fb_built=\u00bb1″ admin_label=\u00bbInfo\u00bb _builder_version=\u00bb4.0.6″ background_color=\u00bb#000000″ custom_padding=\u00bb0px||15px|||\u00bb][et_pb_row column_structure=\u00bb2_5,3_5″ _builder_version=\u00bb4.0.6″][et_pb_column type=\u00bb2_5″ _builder_version=\u00bb4.0.6″][et_pb_text _builder_version=\u00bb4.7.0″ text_text_color=\u00bb#ffffff\u00bb text_line_height=\u00bb1.8em\u00bb header_font=\u00bbMontserrat|700|||||||\u00bb header_font_size=\u00bb40px\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_2_font_size=\u00bb30px\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb background_layout=\u00bbdark\u00bb]<\/p>\n
Lila y Marcela trabajan desde siempre como personal de limpieza en una dependencia estatal. Conocen sus recovecos como nadie y se han inventado una forma de subsistencia \u2013y un sue\u00f1o\u2013 gestionando un comedor absolutamente irregular en un rinc\u00f3n abandonado del edificio. Pero los tiempos cambian: llega una nueva directora \u2013con sus discursos c\u00ednicos, plagados de lugares comunes\u2013 y con ella las promesas vac\u00edas, el cierre del comedor y una ola de despidos que destruyen el precario equilibrio de la vida en el Estado y transforma las tareas cotidianas en una lucha por la supervivencia.<\/span><\/p>\n<\/div>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb3_5″ _builder_version=\u00bb4.0.6″][et_pb_video src=\u00bbhttps:\/\/www.youtube.com\/watch?v=rxZvuvv1u7s\u00bb play_icon_color=\u00bbrgba(0,0,0,0)\u00bb thumbnail_overlay_color=\u00bbrgba(0,0,0,0.6)\u00bb _builder_version=\u00bb4.7.0″ _module_preset=\u00bbdefault\u00bb icon_font_size__hover_enabled=\u00bboff|hover\u00bb icon_font_size__hover=\u00bb43px\u00bb play_icon_color__hover_enabled=\u00bbon|desktop\u00bb play_icon_color__hover=\u00bb#ffffff\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.6.6″ custom_margin=\u00bb0px||0px||true|false\u00bb custom_padding=\u00bb0px||0px||true|false\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.0.6″][et_pb_text _builder_version=\u00bb4.7.1″ text_text_color=\u00bb#ffffff\u00bb text_line_height=\u00bb1.8em\u00bb header_font=\u00bbMontserrat|700|||||||\u00bb header_font_size=\u00bb40px\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_2_font_size=\u00bb30px\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb background_layout=\u00bbdark\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n Ezequiel Radusky was born in 1981 in San Miguel de Tucum\u00e1n (Argentina). He is a film director, screenwriter and actor. His first feature film The Owners was screened at the 52nd Semaine de la Critique in Cannes in 2013, where he got the Jury Special Mention. His new project, The Lunchroom won Best Project at the Europe-Latin America Coproduction VI Forum at San Sebastian Film Festival in 2017, got a Special Mention at the Screenplay Competition of the 39th International Latin America New Film Festival in Havana (2017), and won the co-production Ibermedia Fund in 2018. <\/span><\/p>\n Argentina, Uruguay, 2020 Mar del Plata 2019 – Competencia Oficial<\/p>\n Mejor Actriz – Liliana Juarez – Festival Internacional de Mar del Plata<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Ezequiel Radusky, 2020, Argentina, Uruguay, 78 min, OmeU<\/p>\n","protected":false},"author":1,"featured_media":754,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n Bienvenido a WordPress. Esta es tu primera entrada. Ed\u00edtala o b\u00f3rrala, \u00a1luego empieza a escribir!<\/p>\n","_et_gb_content_width":"1080","footnotes":""},"categories":[37],"tags":[],"class_list":["post-1094","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-37"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts\/1094","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/comments?post=1094"}],"version-history":[{"count":7,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts\/1094\/revisions"}],"predecessor-version":[{"id":1658,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts\/1094\/revisions\/1658"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/media\/754"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/media?parent=1094"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/categories?post=1094"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/tags?post=1094"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Ezequiel Radusky – Director<\/h3>\n
Ficha t\u00e9cnica<\/h3>\n
89 min.
Direcci\u00f3n:<\/strong> Ezequiel Radusky
Gui\u00f3n:<\/strong> Ezequiel Radusky, Diego Lerman
Direcci\u00f3n de Fotograf\u00eda:<\/strong> Lucio Bonelli
Montaje:<\/strong> Valeria Racioppi
Elenco:<\/strong> Liliana Juarez, Rosario Blefari, Ver\u00f3nica Perrota, Sol Lugo, Vera Nina Su\u00e1rez
M\u00fasica:<\/strong> Maximiliano Silveira
Producci\u00f3n:<\/strong> Campo Cine (Diego Lerman, Nicol\u00e1s Avruj)
Coproducci\u00f3n:<\/strong> Salado (Mariana Secco)<\/p>\nPremios y Festivales<\/h3>\n