{"id":4874,"date":"2025-07-15T11:37:38","date_gmt":"2025-07-15T09:37:38","guid":{"rendered":"https:\/\/invasionberlin.com\/festival\/?p=4874"},"modified":"2025-07-17T17:35:53","modified_gmt":"2025-07-17T15:35:53","slug":"el-jockey","status":"publish","type":"post","link":"https:\/\/invasionberlin.com\/festival\/el-jockey\/","title":{"rendered":"EL JOCKEY"},"content":{"rendered":"<p>[et_pb_section fb_built=\u00bb1&#8243; admin_label=\u00bbInfo\u00bb _builder_version=\u00bb4.16&#8243; background_color=\u00bb#000000&#8243; custom_padding=\u00bb0px||15px|||\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_row column_structure=\u00bb2_5,3_5&#8243; _builder_version=\u00bb4.16&#8243; width=\u00bbauto\u00bb max_width=\u00bbnone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_column type=\u00bb2_5&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; text_text_color=\u00bb#ffffff\u00bb text_line_height=\u00bb1.8em\u00bb header_font=\u00bbMontserrat|700|||||||\u00bb header_font_size=\u00bb40px\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_2_font_size=\u00bb30px\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb background_layout=\u00bbdark\u00bb custom_margin=\u00bb|-11px|12px|||\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb]<\/p>\n<div class=\"x-text\">\n<h3 style=\"text-align: justify;\">Sinopsis<\/h3>\n<p>Remo Manfredini es una leyenda del turf, pero su conducta exc\u00e9ntrica y autodestructiva comienza a eclipsar su talento. Abril, jocketa y pareja de Remo, espera un hijo suyo y debe decidir entre continuar con su embarazo o seguir corriendo. Ambos corren caballos para Sirena, un empresario obsesionado con el jockey.<\/p>\n<p>Un d\u00eda Remo sufre un accidente, desaparece del hospital y deambula sin identidad por las calles de la ciudad. Sirena lo quiere vivo o muerto mientras Abril intenta encontrarlo antes de que sea demasiado tarde.<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb3_5&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_video src=\u00bbhttps:\/\/www.youtube.com\/watch?v=zdPrjBP6N2w\u00bb play_icon_color=\u00bbrgba(0,0,0,0)\u00bb thumbnail_overlay_color=\u00bbrgba(0,0,0,0.6)\u00bb _builder_version=\u00bb4.27.4&#8243; _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb icon_font_size__hover_enabled=\u00bboff|hover\u00bb icon_font_size__hover=\u00bb43px\u00bb play_icon_color__hover_enabled=\u00bbon|desktop\u00bb play_icon_color__hover=\u00bb#ffffff\u00bb theme_builder_area=\u00bbpost_content\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00bb4.16&#8243; width=\u00bbauto\u00bb max_width=\u00bbnone\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_column type=\u00bb4_4&#8243; _builder_version=\u00bb4.16&#8243; global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb][et_pb_text _builder_version=\u00bb4.27.4&#8243; text_text_color=\u00bb#ffffff\u00bb text_line_height=\u00bb1.8em\u00bb header_font=\u00bbMontserrat|700|||||||\u00bb header_font_size=\u00bb40px\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_2_font_size=\u00bb30px\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb background_layout=\u00bbdark\u00bb hover_enabled=\u00bb0&#8243; locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb theme_builder_area=\u00bbpost_content\u00bb sticky_enabled=\u00bb0&#8243;]<\/p>\n<h3>Ficha t\u00e9cnica<\/h3>\n<p>Luis Ortega \u2013 2024 &#8211; Argentina, M\u00e9xico, Espa\u00f1a, Dinamarca, EEUU \u2013 96 Min. Espa\u00f1ol con subt\u00edtulos en ingl\u00e9s (OmeU)<\/p>\n<p>Direcci\u00f3n: Luis Ortega<\/p>\n<p>Gui\u00f3n: Luis Ortega, Rodolfo Palacios, Fabi\u00e1n Casas<\/p>\n<p>Compa\u00f1\u00edas Productoras: Rei Pictures, El Despacho, Infinity Hill, Warner Music Entertainment, Exile<\/p>\n<p>Compa\u00f1\u00edas Coproductoras: Piano, El Estudio, Snowglobe, Jacinto Films, Barraca Producciones<\/p>\n<p>Direcci\u00f3n de Fotograf\u00eda: Timo Salminen<\/p>\n<p>Montaje: Rosario Su\u00e1rez, Yibr\u00e1n Asuad<\/p>\n<p>Direcci\u00f3n de Arte: Julia Freid, Germ\u00e1n Naglieri<\/p>\n<p>Dise\u00f1o de Vestuario: Beatriz Di Benedetto<\/p>\n<p>Dise\u00f1o de Sonido:\u00a0 Guido Berenblum, Javier Umpi\u00e9rrez, Claus Lynge<\/p>\n<p>International Sales: Protagonist Pictures<\/p>\n<p>Int\u00e9rpretes:\u00a0 Nahuel P\u00e9rez Biscayart; Ursula Corber\u00f3; Daniel Gimenez Cacho; Daniel Fanego; Osmar N\u00fa\u00f1ez; Roberto Carnaghi; Luis Ziembrowski; Jorge Prado; Adriana Aguirre; Roly Serrano; Mariana Di Girolamo<\/p>\n<p>&nbsp;<\/p>\n<h3>Festivales y Premios<\/h3>\n<ul>\n<li>Competencia Oficial Festival de Venecia<\/li>\n<li>Premio Horizontes Latinos &#8211; Festival Internacional de Cine de San Sebasti\u00e1n<\/li>\n<li>Condor de Plata Mejor pel\u00edcula de ficci\u00f3n, Mejor director, Mejor actor prot\u00e1gonico, Mejor direcci\u00f3n de fotograf\u00eda, Mejor m\u00fasica original, Mejor direcci\u00f3n de arte y Mejor dise\u00f1o de vestuario<\/li>\n<li>Premios Platino Mejor interpretaci\u00f3n masculina en reparto (Daniel Fanego)<\/li>\n<li>Nominada Mejor Pel\u00edcula Iberoamericana\u00a0Premios Goya<\/li>\n<li>Candidata argentina a los premios Oscar<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luis Ortega \u2013 2024 &#8211; Argentina, M\u00e9xico, Espa\u00f1a, Dinamarca, EEUU \u2013 96 Min. Espa\u00f1ol con subt\u00edtulos en ingl\u00e9s (OmeU)<\/p>\n","protected":false},"author":3,"featured_media":4993,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[427],"tags":[],"class_list":["post-4874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-427"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts\/4874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/comments?post=4874"}],"version-history":[{"count":13,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts\/4874\/revisions"}],"predecessor-version":[{"id":5022,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts\/4874\/revisions\/5022"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/media\/4993"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/media?parent=4874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/categories?post=4874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/tags?post=4874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}