[et_pb_section fb_built=\u00bb1″ admin_label=\u00bbInfo\u00bb _builder_version=\u00bb4.0.6″ background_color=\u00bb#000000″ custom_padding=\u00bb0px||15px|||\u00bb][et_pb_row column_structure=\u00bb2_5,3_5″ _builder_version=\u00bb4.0.6″][et_pb_column type=\u00bb2_5″ _builder_version=\u00bb4.0.6″][et_pb_text _builder_version=\u00bb4.7.0″ text_text_color=\u00bb#ffffff\u00bb text_line_height=\u00bb1.8em\u00bb header_font=\u00bbMontserrat|700|||||||\u00bb header_font_size=\u00bb40px\u00bb header_2_font=\u00bbMontserrat|700|||||||\u00bb header_2_font_size=\u00bb30px\u00bb header_3_font=\u00bbMontserrat|600|||||||\u00bb background_layout=\u00bbdark\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″]<\/p>\n
Estudiantes de distintas carreras se preparan para rendir ex\u00e1menes finales. Bot\u00e1nica, anatom\u00eda, sociolog\u00eda, filosof\u00eda medieval, derecho penal, morfolog\u00eda, f\u00edsica te\u00f3rica y piano. Cada uno utiliza sus recursos para sobrellevar la inquietante situaci\u00f3n de exposici\u00f3n oral, la pr\u00e1ctica evaluativa m\u00e1s com\u00fan en las universidades nacionales de Argentina. A lo largo de los momentos de espera en los pasillos, y entre el drama y el absurdo de cada examen, los temas empiezan a encontrar relaciones inesperadas.<\/p>\n<\/div>\n
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Argentina, 2019 W.I.P. – Prize \u00abBest Latin American film (in development)\u00bb. [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Eloisa Sol\u00e1as, 2019, Arg, 82 min, OmeU<\/p>\n","protected":false},"author":1,"featured_media":261,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"\n Bienvenido a WordPress. Esta es tu primera entrada. Ed\u00edtala o b\u00f3rrala, \u00a1luego empieza a escribir!<\/p>\n","_et_gb_content_width":"1080","footnotes":""},"categories":[37],"tags":[],"class_list":["post-553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-37"],"_links":{"self":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts\/553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/comments?post=553"}],"version-history":[{"count":7,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts\/553\/revisions"}],"predecessor-version":[{"id":1154,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/posts\/553\/revisions\/1154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/media\/261"}],"wp:attachment":[{"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/media?parent=553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/categories?post=553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/invasionberlin.com\/festival\/wp-json\/wp\/v2\/tags?post=553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
77 min.
Direcci\u00f3n:<\/strong> Elo\u00edsa Solaas
Direcci\u00f3n de Fotograf\u00eda:<\/strong> Esteban Clausse
Montaje:<\/strong> Pablo Mazzolo, Elo\u00edsa Solaas
Producci\u00f3n:<\/strong> Elo\u00edsa Solaas, Paula Zyngierman, Esteban Clausse, Maravilla Cine<\/p>\nPremios y Festivales<\/h3>\n
FIDOCS Festival.
Best director- Official Selection BAFICI, 2019.
ASA Award (Asociaci\u00f3n Sonidistas Argentinos) for the best sound – BAFICI, 2019
Special mention SAE \/ EDA to the assembly. BAFICI, 2019<\/p>\n