2026
Nuestra Tierra · Humboldt ForumThe current edition: Lucrecia Martel's “Nuestra Tierra”, presented by María Alché, open-air in the Schlüterhof of the Humboldt Forum.

From the first "invasion" of Kino Babylon in 2014 to open-air cinema at the Humboldt Forum: every edition, series and milestone of the festival.
The current edition: Lucrecia Martel's “Nuestra Tierra”, presented by María Alché, open-air in the Schlüterhof of the Humboldt Forum.

“Kill the Jockey” by Luis Ortega, presented by the writer Fabián Casas — in Spanish and English, open-air at the Humboldt Forum. Casas wrote the screenplay for Lisandro Alonso's “Jauja” and co-wrote this film.

For the second year running, INVASION represented Argentine cinema in the Schlüterhof of the Humboldt Forum: “Puan” by María Alché and Benjamín Naishtat, screened as part of “Box Office Around the World”, which brings box-office hits from around the globe to an open-air screen across three August weekends.

Ten years have passed since the first edition. In 2014, Argentine culture — with cinema as its starting point — burst into Berlin for the first time, for a whole month, in cinemas and cultural spaces. With every edition that followed the festival took new shapes, changing houses and skins. After the pandemic we left the online format behind and returned to the kind of encounter we like best: in person, in the cinema, face to face.

In nine years INVASION has changed spaces and formats: born in Berlin, on tour across Germany, a guest in Buenos Aires; lasting a month, a week, a weekend, one night. The festival survived the pandemic in its online version — and is still here, eager to watch good cinema in the original language.

This year's programme was especially varied — not only because it gathered fiction, documentary and hybrid forms, women and men directors, co-productions between Argentina, Chile, Uruguay, Spain, Germany, Brazil and Norway, but because the subjects, aesthetics and ways of telling were so different.

In its seventh edition the festival expanded across all of Germany in an online version. The programme included six films, one selected from each previous edition, introduced by their directors and free to watch all weekend.

This year's selection gathers the boldest Argentine work of the past two years: filmmakers who take a risk by stepping in front of the frame themselves.

To understand contemporary Argentine cinema you have to start in the 1960s, when filmmakers such as Leopoldo Torre Nilsson, David Kohon, Manuel Antín, Rodolfo Kuhn and Hugo Santiago were searching for new forms.

On 7 December 2017, INVASION presented a double bill at the Caligari cinema in Wiesbaden: Lisandro Alonso's “Jauja”, awarded at Cannes in 2014, and Benjamín Naishtat's “El Movimiento”, named best film at the Mar del Plata festival in 2015.

The third edition brought sixteen features and shorts to Berlin — from Ana Katz's “Mi amiga del parque” and Ariel Rotter's “La luz incidente” to Benjamín Naishtat's “El Movimiento” and Melisa Liebenthal's debut “Las Lindas”.

For seven days, seven features and eight shorts at the historic Kino Moviemento showed the stimulating and diverse state of Argentine cinema. INVASION is a celebration — and a stocktaking.

In September 2014, Argentine culture — led by cinema — visited the German capital. Starting from ten films, cultural activities took place across the city for an entire month.

A week of Argentine documentary film, online across Germany — the series that grew out of the first online edition.
